Thursday, February 15, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Allen Miller, piano
Everson Museum of Art

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Death Takes a Cruise
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Pack your costume, grab your party hat, and step aboard our venerable riverboat, The Mississippi Mistress, as we prepare to set sail down the "Big Muddy" for New Orleans and Mardi Gras! Woooo-hooo! The mighty Captain "Crawdaddy" Cretin will help you navigate the shoals, sand bars, (and wet bars), while Scooter, the Porter, and your Cruise Director, Lucy Belle Juniper, see to your comfort and entertainment. Watch out for the other passengers (they look pretty suspicious). Someone might not make it to the "Big Easy" alive.

Clyde's
Syracuse Stage
Chip Miller, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

From two-time Pulitzer Prize-winning playwright Lynn Nottage comes this delicious new "dramedy" that has it all — wit, heart, snappy dialogue, and big surprises. Creating the perfect sandwich is the quest of the formerly incarcerated staff at Clyde's truck stop. Deeply felt, quirky, and urgent, Clyde's serves up a masterful play that reminds us, sometimes a hero is more than just a sandwich!

Friday, February 16, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Vision of Sound: New Music with Dance
Society for New Music

Price: $20 regular, $15 students/seniors, children 12 and under free
Palace Theater
2384 James St., Syracuse

Program features music of Jaclyn Breeze, Daniel T. Davis, Sam Evans, Paul Leary, Ivan Malcolm, Mark Olivieri, Nicolas Scherzinger, and Octavio Vazquez, with choreography by Maya June Dwyer, Brian Lawson, Angela Lopez, Aaron Loux, Olive Prince, Kaley Pruitt, Heather Roffe, and Aldo Santiago.

JMAD Presents: Keeiis Productions -- A Tribute to Donny Hathaway & Friends
Community Folk Art Center

Price: $25
Community Folk Art Center
805 E. Genesee St., Syracuse

During Black History Month, CFAC is thrilled for the return of the "A Journey Through Music of the African Diaspora" series (JMAD) with a tribute to Donny Hathaway, Roberta Flack, and Lalah Hathaway. Originating in 2012, this series celebrates local Black performing artists while teaching audiences about the historical contexts of music. Headlined by Samuel T. Wynn, this musical medley will not only showcase Donny Hathaway as an iconic soul musician but also shed light on his experiences relating to poverty, inequality, and mental health as a Black artist in the 1970s.

Karen Savoca and Pete Heitzman
Folkus Project

Price: $20 regular, $17 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

A self-contained mini-band with "the fearlessness of a high-wire act working without a net." An elusive mix...melodic, funky and spontaneous.

Jubilee: A Celebration of Black Joy
Black Artist Collective (BAC) and Project OutLoud

Price: $10
SALTspace Performance Center
103 Wyoming St., Syracuse

The 4th Annual BAC Black History Month Showcase promises an evening of vibrant artistic expression and cultural celebration. Doors open at 7:00 pm for a mini-pop-up market featuring local artists and Black-owned businesses.

Hosted by BAC co-founder, Project OutLoud Coordinator, and multimedia artist Jaleel Campbell, the event is a joyous celebration of Black talent. It will honor the contributions of artists who have shaped the dynamic arts and cultural landscape, including Dominique's Dance Creations, KJ & Lolo, and The WiZdom G.O.A.T, among others. Featured pop-up mini-market businesses include Brandan Jones, ByIIW, BySuli Designs, CraftsbyNicole, Dezi Dezignz, Eastcoast Bandits, Serenity and Me, SeaKissed Blends, and The Stone and Bamboo.

The celebration will also feature a tribute to Walter Robinson, the model and inspiration behind Campbell's new In Secrecy Series. The event will feature the debut of a new illustration in his honor. As we celebrate Black Joy as an alternative form of resistance, this event centers on solidarity and unity within our community.

Poet Anders Carlson-Wee
Downtown Writer's Center

Price: Free
Online

Anders Carlson-Wee is the author of Disease of Kings, out now from W.W. Norton. He is also the author of The Low Passions (W.W. Norton, 2019), a New York Public Library Book Group Selection, and Dynamite (Bull City Press, 2015), winner of the Frost Place Chapbook Prize. His work has appeared in The Paris Review, Harvard Review, BuzzFeed, American Poetry Review, Ploughshares, Virginia Quarterly Review, The Sun, The Southern Review, and many other publications. The recipient of fellowships from the National Endowment for the Arts, Poets & Writers, the Camargo Foundation, Bread Loaf, Sewanee, and the Napa Valley Writers' Conference, he is the winner of the Poetry International Prize. Anders has taught at Vanderbilt University, Western Washington University, the Art Academy of Cincinnati, and the Solstice low-residency MFA program at Lasell University.

Alice in Slasherland
Central New York Playhouse
Christopher James Lupia, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

When young Lewis accidentally resurrects the soul of a brutally slain girl named Alice, he unwittingly unleashes a literal hell on Earth. Now, with every imaginable kind of demon, monster, and killer ravaging his small town, it's up to Lewis and his newly undead companion to protect his classmates – including longtime crush Margaret – from becoming freshly slaughtered carcasses. With the help of Alice's trash-talking demonic teddy bear, Lewis races to find a way to close the rift before the devil himself shows up and totally ruins their senior prom.

Read a review!

Clyde's
Syracuse Stage
Chip Miller, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

From two-time Pulitzer Prize-winning playwright Lynn Nottage comes this delicious new "dramedy" that has it all — wit, heart, snappy dialogue, and big surprises. Creating the perfect sandwich is the quest of the formerly incarcerated staff at Clyde's truck stop. Deeply felt, quirky, and urgent, Clyde's serves up a masterful play that reminds us, sometimes a hero is more than just a sandwich!

Saturday, February 17, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Candlelight Concert: Valentine's Day Special featuring "Romeo & Juliet" & More!
Listeso String Quartet

Palace Theater
2384 James St., Syracuse

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Syracuse. Get your tickets now to discover the music of Valentine's Day Special featuring "Romeo and Juliet" & More under the gentle glow of candlelight.

*SOLD OUT* Count Blastula
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Founded by Adam Fisher in Central New York, Count Blastula features eclectic music combined with visual expression, broadening genres in thoughtful ways.

Trio Ghidorah
Skaneateles Library Guitar Series

Price: Free
Skaneateles Library
49 E. Genesee St., Skaneateles

Trio Ghidorah is a classical guitar trio formed by Ken Luk, Bernardo Marcondes, and Erik Gibelyou. The three musicians banded together while earning their doctoral degrees at the Eastman School of Music. The trio creates arrangements of music not originally written for guitar, including works by Stravinsky, Mozart, and Philip Glass.

Trio Ghidorah released their debut album, "Dances and Fantasies," in March 2021. The recording includes the group's arrangements alongside works composed for three guitars by Paulo Bellinati, Stephen Dodgson, and Annette Kruisbrink. The album's release was celebrated in Rochester, New York with a concert at Bop Shop Records and an article in City Newspaper. Selections from the album have been played on the public radio program The Intimate Guitar and on WXXI Classical in Rochester.

The trio has performed frequently in Western New York and the Midwest, with concerts at the Eastman School of Music, Bloomsburg University, Saginaw Valley State University, Kerrytown Concert House, and the Irondequoit Arts and Music Festival, among others. Their concert programs include music from the classical canon, contemporary works, and Latin American music.

Masterworks Series: The Planets
Syracuse Orchestra (formerly Symphoria)
Lawrence Loh, conductor
Featuring Demarre McGill, flute; Syracuse University Oratorio Society women's chorus

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Debussy Nocturnes
François Borne Carmen Fantasy
Holst The Planets

Candlelight Concert: A Tribute to Coldplay
Listeso String Quartet

Palace Theater
2384 James St., Syracuse

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Syracuse. Get your tickets now to discover the music of Coldplay under the gentle glow of candlelight.

MEND Journal Launch Party

Price: Free
Central Library
The Galleries of Syracuse, 447 S. Salina St., Syracuse

Project Mend focuses on writing and publishing as a means by which formerly incarcerated individuals and their families can reimagine themselves, their communities, and their futures. Self-expression through writing holds a potential for the transformation of not only those who create, but for those who may read the published works.

MEND stands as a testament to resilience, creativity, and the narratives of justice-impacted individuals and their families in Syracuse. As we prepare to unveil the second edition, the launch event promises a program of readings, recognitions, and a celebration of this year's cohort.

This event will take place in person and on Zoom.

PAW Patrol Live: The Great Pirate Adventure
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

The Pack is back and on a roll! This action-packed, music-filled production is based on the top-rated animated preschool series PAW Patrol, produced by Spin Master Entertainment and airing on Nickelodeon. Guests will see Ryder and his team of pups embark on a pirate-themed adventure to uncover hidden treasure. Do not miss this PAWsome opportunity to see the whole pack in this live touring stage performance.

PAW Patrol Live: The Great Pirate Adventure
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

The Pack is back and on a roll! This action-packed, music-filled production is based on the top-rated animated preschool series PAW Patrol, produced by Spin Master Entertainment and airing on Nickelodeon. Guests will see Ryder and his team of pups embark on a pirate-themed adventure to uncover hidden treasure. Do not miss this PAWsome opportunity to see the whole pack in this live touring stage performance.

Clyde's
Syracuse Stage
Chip Miller, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

From two-time Pulitzer Prize-winning playwright Lynn Nottage comes this delicious new "dramedy" that has it all — wit, heart, snappy dialogue, and big surprises. Creating the perfect sandwich is the quest of the formerly incarcerated staff at Clyde's truck stop. Deeply felt, quirky, and urgent, Clyde's serves up a masterful play that reminds us, sometimes a hero is more than just a sandwich!

Alice in Slasherland
Central New York Playhouse
Christopher James Lupia, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

When young Lewis accidentally resurrects the soul of a brutally slain girl named Alice, he unwittingly unleashes a literal hell on Earth. Now, with every imaginable kind of demon, monster, and killer ravaging his small town, it's up to Lewis and his newly undead companion to protect his classmates – including longtime crush Margaret – from becoming freshly slaughtered carcasses. With the help of Alice's trash-talking demonic teddy bear, Lewis races to find a way to close the rift before the devil himself shows up and totally ruins their senior prom.

Read a review!

Clyde's
Syracuse Stage
Chip Miller, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

From two-time Pulitzer Prize-winning playwright Lynn Nottage comes this delicious new "dramedy" that has it all — wit, heart, snappy dialogue, and big surprises. Creating the perfect sandwich is the quest of the formerly incarcerated staff at Clyde's truck stop. Deeply felt, quirky, and urgent, Clyde's serves up a masterful play that reminds us, sometimes a hero is more than just a sandwich!

Sunday, February 18, 2024

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Demarre McGill in Recital
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

With Daniel Schlosberg, piano.

RSVP by Feb. 14 to Dana DiGennaro.

Evensong and Organ Recital
St. Paul's Syracuse
Featuring Augustine Sobeng, organ

Price: Freewill offering
St. Paul's Syracuse
220 E. Fayette St., Syracuse

The choir will perform works of Powell, Crotch, Greene, and Vaughan Williams, followed by organ works of Hubert Parry, Leo Sowerby, Percy Whitlock, and Louis Vierne.

PAW Patrol Live: The Great Pirate Adventure
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

The Pack is back and on a roll! This action-packed, music-filled production is based on the top-rated animated preschool series PAW Patrol, produced by Spin Master Entertainment and airing on Nickelodeon. Guests will see Ryder and his team of pups embark on a pirate-themed adventure to uncover hidden treasure. Do not miss this PAWsome opportunity to see the whole pack in this live touring stage performance.

Alice in Slasherland
Central New York Playhouse
Christopher James Lupia, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

When young Lewis accidentally resurrects the soul of a brutally slain girl named Alice, he unwittingly unleashes a literal hell on Earth. Now, with every imaginable kind of demon, monster, and killer ravaging his small town, it's up to Lewis and his newly undead companion to protect his classmates – including longtime crush Margaret – from becoming freshly slaughtered carcasses. With the help of Alice's trash-talking demonic teddy bear, Lewis races to find a way to close the rift before the devil himself shows up and totally ruins their senior prom.

Read a review!

Clyde's
Syracuse Stage
Chip Miller, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

From two-time Pulitzer Prize-winning playwright Lynn Nottage comes this delicious new "dramedy" that has it all — wit, heart, snappy dialogue, and big surprises. Creating the perfect sandwich is the quest of the formerly incarcerated staff at Clyde's truck stop. Deeply felt, quirky, and urgent, Clyde's serves up a masterful play that reminds us, sometimes a hero is more than just a sandwich!

PAW Patrol Live: The Great Pirate Adventure
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

The Pack is back and on a roll! This action-packed, music-filled production is based on the top-rated animated preschool series PAW Patrol, produced by Spin Master Entertainment and airing on Nickelodeon. Guests will see Ryder and his team of pups embark on a pirate-themed adventure to uncover hidden treasure. Do not miss this PAWsome opportunity to see the whole pack in this live touring stage performance.

Monday, February 19, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

ATM Productions Talent Showcase
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Join us for a fun-filled afternoon with a showing of the movie, The Wiz, starting at 3:00 pm followed by a REAL TALK discussion. Then we will end the night with a showcase of talent from the community that will begin around 6:00 pm.

Tuesday, February 20, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Jazz at Timber Banks: Cheri Giraud
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

Pops Series: Rhapsody in Blue
Syracuse Orchestra (formerly Symphoria)
Sean O'Loughlin, conductor
Featuring Rob Auler, piano

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

With its instantly recognizable clarinet glissando at the beginning, to its iconic rhythms, lush orchestration, and brilliant finale, Rhapsody in Blue has thrilled audiences for 100 years. Acclaimed pianist Rob Auler is the featured soloist for this performance.

Wednesday, February 21, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Thursday, February 22, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Film Screening: The Right To Read
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Join The NAACP Syracuse Onondaga County Branch and Community Folk Art Center for a special screening and panel discussion. The film, The Right To Read, shares the stories of an NAACP activist, a teacher, and two American families who fight to provide our youngest generation with the most powerful foundational indicator of life-long success: the ability to read.

All Art is Ecological
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

4:00-5:00 pm: Art & Ecology Teaching Guides Launch
5:00-6:30 pm: Gallery reception
6:30-8:00 pm: Timothy Morton (Rice University), public lecture

Death Takes a Cruise
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Pack your costume, grab your party hat, and step aboard our venerable riverboat, The Mississippi Mistress, as we prepare to set sail down the "Big Muddy" for New Orleans and Mardi Gras! Woooo-hooo! The mighty Captain "Crawdaddy" Cretin will help you navigate the shoals, sand bars, (and wet bars), while Scooter, the Porter, and your Cruise Director, Lucy Belle Juniper, see to your comfort and entertainment. Watch out for the other passengers (they look pretty suspicious). Someone might not make it to the "Big Easy" alive.