Friday, February 23, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

A public reception will be held this evening 6:00-8:00 pm.

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

*SOLD OUT* 443 Birthday Bash
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

*CANCELLED* Fleetwood Mac Experience
Palace Theatre

Palace Theater
2384 James St., Syracuse

The FMX Experience will recreate the legendary look & sound of the one and only Fleetwood Mac. The evening will feature all of their beloved hits! You'll hear Dreams, Go Your Own Way, Landslide, Silver Springs, Don't Stop, Everywhere, Rhiannon, You Make Love Fun, and many more!

Poet Brian Turner
Downtown Writer's Center

Price: Free
Online

Brian Turner is the author of five collections of poetry, most recently: The Wild Delight of Wild Things (2023), The Goodbye World Poem (2023), and The Dead Peasant's Handbook (2023), all new from Alice James Books. His other collections include Here, Bullet and Phantom Noise, and the memoir My Life as a Foreign Country. He is the editor of The Kiss and co-editor of The Strangest of Theatres anthologies. A musician, he has also written and recorded several albums with The Interplanetary Acoustic Team, including 11 11 (Me Smiling) and The Retro Legion's American Undertow. His poems and essays have been published in The New York Times, The Guardian, National Geographic, and Harper's, among other fine journals, and he was featured in the documentary film Operation Homecoming: Writing the Wartime Experience, which was nominated for an Academy Award. A Guggenheim Fellow, he has received a USA Hillcrest Fellowship in Literature, the Amy Lowell Traveling Fellowship, the Poets' Prize, and a Fellowship from the Lannan Foundation.

Alice in Slasherland
Central New York Playhouse
Christopher James Lupia, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

When young Lewis accidentally resurrects the soul of a brutally slain girl named Alice, he unwittingly unleashes a literal hell on Earth. Now, with every imaginable kind of demon, monster, and killer ravaging his small town, it's up to Lewis and his newly undead companion to protect his classmates – including longtime crush Margaret – from becoming freshly slaughtered carcasses. With the help of Alice's trash-talking demonic teddy bear, Lewis races to find a way to close the rift before the devil himself shows up and totally ruins their senior prom.

Read a review!

Inherit The Wind
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

Based on the real-life Scopes "Monkey" Trial in 1925, two great lawyers argue the case for and against a Tennessee science teacher accused of the crime of teaching evolution. Starring Fred Grandy and directed by Ted Lange, both reuniting from the hit TV show "The Love Boat", this courtroom drama comes to life in a relevant deliberation on the freedom of thought.

Orlando
LeMoyne College
Maya Dwyer, director

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

An effervescent comedy of love, sex and time travel by Virginia Woolf, adapted by Sarah Ruhl. This is the story of a young nobleman who is drawn into a love affair with Queen Elizabeth I. For a time, life at court is interesting enough, but Orlando yearns for something more. As he strives to make his way as a poet and lover, his travels keep him at the heart of a dazzling tale where gender and gender preferences shift regularly, usually with hilarious results.

Saturday, February 24, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Ali Siddiq: I Got A Story To Tell
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Ali Siddiq is stand-up comedian and public speaker out of Houston, TX. Ali's unique style of stand-up began behind the walls of incarceration, an incubator for interesting experiences and good stories.

A Celebration of Black Icons in Dance & Music
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Join classical dance trailblazer Charles Haislah, The Creative Arts Academy, and CFAC-DanceLab for an evening of performances and dance history.

Honoring Outstanding Black Filmmakers
Syracuse International Film Festival

Price: $8 individual; $20 family 4-pack
Buried Acorn Brewing
881 Van Rensselaer St., Syracuse

The inaugural Honoring Outstanding Black Filmmakers event will showcase four films from around the world, as well as honor local filmmaker Eric Jackson of Black Cub Productions.

2:00-4:15 pm: Program 1

Guardians of the Flame
The documentary film tells the story of the multi-talented Harrison family of New Orleans who guard their legacy and define what Black masking culture means in the city today. Filmed over 15 years, the documentary follows the family's fight to recover from Hurricane Katrina and a history of cultural suppression, and introduces viewers to the family's matriarch, Herreast Harrison, and her four talented children. The project was started in 2006 by Oscar winner Jonathan Demme and completed by director Daniel Wolff after Demme's death.

If a Flower Bloomed
The documentary film showcases the daily lives of Kenyan students and the challenges they face, as well as the origin story of a non-profit organization that helps children. The film features moving testimonies from past beneficiaries, highlighting the profound impact of education and hope on young lives.

4:30-6:30 pm: Program 2
The Poison Garden
The short film tells the true stories of three acts of racial terrorism that occurred in and out of South Florida's courts in the 1930s and draws parallels to the problems of law enforcement today.

Kikum Spirit (The Untold African Story)
The narrative feature, directed by Anurin Nwunembom, centers on Fonyuy, who takes gifts from two explorers and sends his son Mumu to learn about their land. When Mumu does not return, the truth about the explorers' initial visit and intentions is revealed, sparking a battle to preserve the village's sovereignty and survival that spans centuries.

6:30 pm: A celebration of Eric Derachio Jackson Jr, a Syracuse-based filmmaker who co-founded Black Cub Productions. Jackson is CEO of the independent digital agency, which specializes in "meaningful and motivating stories through bold and transformational creative work."

Tickets are available via Eventbrite for $8 each or $20 for a family 4-pack.

Trust No One Movie Premiere
Palace Theatre

Palace Theater
2384 James St., Syracuse

7:00: Red Carpet
8:00 pm: Movie at 8pm

Trust No One is a highly anticipated Syracuse film that will have its opening premiere on February 24. There will be a special red carpet, DJ, and Q&A after the film.

Selected Favorites for Clarinet and Piano
Civic Morning Musicals
Eileen Allen, clarinet; Tina Toglia, piano

Price: $10
St. David's Episcopal Church
13 Jamar Dr., Dewitt

Brahms Clarinet Sonata in Eb major, Op. 120, No. 2
Hindemith Clarinet Sonata
Finzi Five Bagatelles for Clarinet and Piano, Op. 23

*SOLD OUT* Simplelife, Corey Paige, and Stephen Douglas Wolfe
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

John Price and the Usual Suspects
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Inherit The Wind
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

Based on the real-life Scopes "Monkey" Trial in 1925, two great lawyers argue the case for and against a Tennessee science teacher accused of the crime of teaching evolution. Starring Fred Grandy and directed by Ted Lange, both reuniting from the hit TV show "The Love Boat", this courtroom drama comes to life in a relevant deliberation on the freedom of thought.

A Wee Bit 'o Murder
Acme Mystery Company

Spinning Wheel Restaurant
7384 Thompson Rd., North Syracuse

Holy St. Patrick on a stick! Someone has stolen the pot of gold and now you and all the other leprechauns of Clover Union Local Number 7 have your little tails in a spin. The president of your local, Jimmy Jack Daniels O'Toole, is demanding that you get your wee bottoms over to the pub as fast as your little feet can go. If the International Fellowship of Little Knickers finds out about this, you'll all be turned into garden gnomes!

Alice in Slasherland
Central New York Playhouse
Christopher James Lupia, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

When young Lewis accidentally resurrects the soul of a brutally slain girl named Alice, he unwittingly unleashes a literal hell on Earth. Now, with every imaginable kind of demon, monster, and killer ravaging his small town, it's up to Lewis and his newly undead companion to protect his classmates – including longtime crush Margaret – from becoming freshly slaughtered carcasses. With the help of Alice's trash-talking demonic teddy bear, Lewis races to find a way to close the rift before the devil himself shows up and totally ruins their senior prom.

Read a review!

Inherit The Wind
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

Based on the real-life Scopes "Monkey" Trial in 1925, two great lawyers argue the case for and against a Tennessee science teacher accused of the crime of teaching evolution. Starring Fred Grandy and directed by Ted Lange, both reuniting from the hit TV show "The Love Boat", this courtroom drama comes to life in a relevant deliberation on the freedom of thought.

Orlando
LeMoyne College
Maya Dwyer, director

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

An effervescent comedy of love, sex and time travel by Virginia Woolf, adapted by Sarah Ruhl. This is the story of a young nobleman who is drawn into a love affair with Queen Elizabeth I. For a time, life at court is interesting enough, but Orlando yearns for something more. As he strives to make his way as a poet and lover, his travels keep him at the heart of a dazzling tale where gender and gender preferences shift regularly, usually with hilarious results.

Sunday, February 25, 2024

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Malmgren Series: Black History Month Concert
Hendricks Chapel

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Setnor School of Music students and faculty present a special concert highlighting the music of Black composers. This program includes inspiring solos for voice, piano, organ, and clarinet by Lawren Brianna Ware, Asriel Davis, Betty Jackson King, Florence Price, and Maria Thompson-Corley.

The Hendricks Chapel Choir will perform Uzee Brown Jr.'s stirring setting of Psalm 150, and the Concert Choir will offer "He Never Failed Me Yet" by gospel legend Robert Ray.

The program will conclude with the combined choirs singing James Weldon Johnson and John Rosamond Johnson's "Lift Every Voice and Sing."

*SOLD OUT* Black History Month Cabaret: Endea Owens, bassist
CNY Jazz Arts Foundation

Price: $40 at door, $35 in advance
Marriott Hotel Syracuse
500 S. Warren St., Syracuse

Only five years out of Juilliard, Endea visits millions of households every weeknight as a member of Stephen Colbert's Late Show Band. She is already the winner of an Emmy, Grammy, and Peabody Award. Her work has appeared on Jon Batiste's Grammy-winning album "We Are" and Oscar-nominated film Judas and the Black Messiah. As a philanthropist, Endea founded the Community Cookout, a non-profit that provides meals and music to underserved neighborhoods in New York City. She has composed for the Jazz at Lincoln Center Orchestra and the Cincinnati Orchestra and is a "Jazz is Now!" fellow of the National Jazz Museum in Harlem as a presenter, curator, and performer.

Ticket price includes buffet dinner.

Seth Walker and Kat Wright
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Inherit The Wind
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

Based on the real-life Scopes "Monkey" Trial in 1925, two great lawyers argue the case for and against a Tennessee science teacher accused of the crime of teaching evolution. Starring Fred Grandy and directed by Ted Lange, both reuniting from the hit TV show "The Love Boat", this courtroom drama comes to life in a relevant deliberation on the freedom of thought.

Monday, February 26, 2024

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Spatchcock Funk
Strathmore Speakers Series

Price: Free
Online

Join the Strathmore Speakers Series and Onondaga Free Library for an evening with Matt Read and Alex DeRosa of Spatchcock Funk. Spatchcock Funk is a cooking and partying experience show that began on YouTube and expanded to CNY Central in Syracuse and WUHF Fox Rochester. They have created a new show that will soon be airing on WCNY in Syracuse and on PBS stations across the country. This show is a culinary adventure that shines a light on social issues and how to have a great time. You don't need a special occasion to have a great party, just people you love. You bring your friends, they'll bring everything else. A brief Q&A will follow their presentation.

Tuesday, February 27, 2024

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Giselle
Palace Theatre
Grand Kyiv Ballet

Palace Theater
2384 James St., Syracuse

Giselle is a classical ballet that tells the story of a peasant girl who falls in love with a nobleman disguised as a commoner. Tragically, the girl dies of a broken heart when she discovers the truth about her lover's identity. The ballet is known for its stunning choreography and beautiful music, and is a true masterpiece of the ballet repertoire.

We are honored to have the prime dancers from the National Opera and Ballet of Ukraine bring this timeless classic to life on stage. Their talent and artistry are unmatched, and we know that audiences will be swept away by their breathtaking performances.

Jazz at Timber Banks: Scott Dennis and Friends
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

Wednesday, February 28, 2024

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Tom Brigandi's Jazz Bass and Beyond Celebrates Black History Month
Chelsea Opera

Price: No cover
The Tasting Room
330 S. Salina St., Syracuse

Featuring Tom Brigandi, bass; Barry Blumenthal, piano; Bob Sneider, guitar; Joe Carello, saxophone; Mike Melito, drums; and Lee Priore, vocals

Thursday, February 29, 2024

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

Randy Rainbow for President
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Randy Rainbow is a four-time EMMY and GRAMMY-nominated American comedian, producer, actor, singer, writer, satirist, host, and New York Times bestselling author, best known for his popular web series, The Randy Rainbow Show. His musical parodies and political spoofs have garnered him worldwide acclaim and four consecutive EMMY nominations for Outstanding Short-Form Variety Series. His debut solo album, A Little Brains, A Little Talent (Broadway Records), earned him a 2023 GRAMMY nomination for Best Comedy Album.

Donna Colton and Sam Patterelli
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Inherit The Wind
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

Based on the real-life Scopes "Monkey" Trial in 1925, two great lawyers argue the case for and against a Tennessee science teacher accused of the crime of teaching evolution. Starring Fred Grandy and directed by Ted Lange, both reuniting from the hit TV show "The Love Boat", this courtroom drama comes to life in a relevant deliberation on the freedom of thought.

Orlando
LeMoyne College
Maya Dwyer, director

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

An effervescent comedy of love, sex and time travel by Virginia Woolf, adapted by Sarah Ruhl. This is the story of a young nobleman who is drawn into a love affair with Queen Elizabeth I. For a time, life at court is interesting enough, but Orlando yearns for something more. As he strives to make his way as a poet and lover, his travels keep him at the heart of a dazzling tale where gender and gender preferences shift regularly, usually with hilarious results.

Friday, March 1, 2024

Opening: Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Unveiled Echoes: Works by Jalen Law
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

This visionary exhibition made up of 22 artworks harmonizes traditional art, digital innovation, and augmented reality (AR) to resurrect the forgotten narratives of Buffalo and the Erie Canal.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

2024 BFA Art Photography Annual
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work presents the 2024 BFA Art Photography Annual of photographs by seniors from the Art Photography program in the College of Visual and Performing Arts at Syracuse University. The exhibiting artists are Keming Chen, Madison Chloe, Zhiyu Feng, Siya Hu, Megan Ivy, Megan Jonas, Yu-Hsia Liu, Tyber Longacre, Chika Winston Ma, Clara Neville, Hieu Minh Nguyen, Avery Wild, Suhao Yang, and Joe Zhao.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

To Understand & To Be Understood: Abstractions by Asian Diasporic Artists
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Curated by graduate students in art history, this exhibition foregrounds abstract art created between 1960 and 1980 by Asian American and Asian diasporic artist living in the United States. These artists, each in their own way, sought a type of universal language and expression through their art, which helped them to understand the world around them and which they hoped would be understood by diverse audiences.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Black Artist Collective: Paired Pieces -- 15th Ward Exhibition
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

In this exhibition, four established professional artists mentored four talented student artists, embarking on a creative journey that explores the history of the 15th Ward's destruction and its lasting impact.

Through a series of prompt questions, the exhibition encourages viewers to contemplate the consequences of this historical event: What are the enduring effects of the 15th Ward's destruction? How does this impact resonate within the City of Syracuse today? What are our collective aspirations for a reparative future?

"Paired Pieces" presents diverse perspectives, artistic styles, and mediums. Each artist contributed their unique visions, inviting viewers to reflect on the past, engage with the present, and envision a future characterized by inclusivity and restoration.

Black Excellence: Celebration of Resilience
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

"Black Excellence: Celebration of Resilience" features works from local African American artists as well as the Syracuse University Art Museum and Light Work collections.

"Black Excellence: Celebration of Resilience" offers a holistic and diverse portrayal of the African American experience, featuring influential African American artists who have played a pivotal role in introducing vibrant colors and unique outlooks to the city of Syracuse's artistic landscape. The works on display transcend mere aesthetics; they serve as a reflection of the African American journey, allowing all members of the Syracuse community to engage with and appreciate this rich and complex history. Topics such as identity, racial discrimination, fashion, and heritage are intertwined through a range of objects, from 1950s fashion to black and white documentary photography to contemporary art.

The exhibition is curated by Trinity Lowe G'24, a graduate museum studies student in the College of Visual and Performing Arts' School of Design, and features works from London Ladd, Cherilyn Beckles, David MacDonald, Jack White, Cjala Surratt, and Carrie Mae Weems.

Mahtab Hussain: Muslims in America: Syracuse Edition
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

British photographer Mahtab Hussain is creating a major new body of work about the Muslim experience in America. In October, ArtRage hosted Hussain for a two-week residency to photograph Syracuse's Muslim community; the resulting work will be shared in this exhibition. The work created in Syracuse will join his work from New York City, Los Angeles, Baltimore, and other U.S. cities yet to be visited, and will be published as an artist book and a touring museum exhibition in 2026.

Hussain uses photography to explore the important relationship between identity, heritage, and displacement. His themes develop through long-term research articulating a visual language that challenges the prevailing concepts of multiculturalism. His work has been widely exhibited in the UK and North America and is in many collections including the Brooklyn Museum and the Scottish National Portrait Gallery.

*SOLD OUT* Bruce Molsky and Tony Trischka
Folkus Project

Price: $25 regular, $22 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

The father of modern bluegrass and a world-renowned fiddler...

Two legends of the folk/roots world — Grammy-nominated fiddler extraordinaire Bruce Molsky and banjo master Tony Trischka — join forces for an evening of old-time string band wizardry. The two will trade songs from their prolific and beloved catalogs as well as the deep well of American traditional folk tunes, both well-known and recently unearthed.

Poet January Gill O'Neil
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

January Gill O'Neil is an associate professor at Salem State University and the author of Glitter Road (February 2024), Rewilding (2018), Misery Islands (2014), and Underlife (2009), all published by CavanKerry Press. From 2012-2018, she served as the executive director of the Massachusetts Poetry Festival. Her poems and articles have appeared in The New York Times Magazine, the Academy of American Poets' Poem-A-Day series, American Poetry Review, Poetry, and Sierra magazine, among others. The recipient of fellowships from the Massachusetts Cultural Council, Cave Canem, and the Barbara Deming Memorial Fund, O'Neil was the 2019-2020 John and Renée Grisham Writer-in-Residence at the University of Mississippi, Oxford. She currently serves as the 2022-2024 board chair of the Association of Writers and Writing Programs (AWP). She lives in Beverly, MA.

This program will be presented in person and on Zoom.

Inherit The Wind
Redhouse

Redhouse at City Center
400 S. Salina St., Syracuse

Based on the real-life Scopes "Monkey" Trial in 1925, two great lawyers argue the case for and against a Tennessee science teacher accused of the crime of teaching evolution. Starring Fred Grandy and directed by Ted Lange, both reuniting from the hit TV show "The Love Boat", this courtroom drama comes to life in a relevant deliberation on the freedom of thought.

Orlando
LeMoyne College
Maya Dwyer, director

Price: $20 regular, $15 seniors, $5 students and LeMoyne faculty and staff
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

An effervescent comedy of love, sex and time travel by Virginia Woolf, adapted by Sarah Ruhl. This is the story of a young nobleman who is drawn into a love affair with Queen Elizabeth I. For a time, life at court is interesting enough, but Orlando yearns for something more. As he strives to make his way as a poet and lover, his travels keep him at the heart of a dazzling tale where gender and gender preferences shift regularly, usually with hilarious results.

Preview: Head Over Heels
Syracuse University Drama Department
Kiira Schmidt Carper and Kathleen Wrinn, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A hilarious and sexy celebration of love in all its infinite varieties, this bold and fierce modern musical comedy comes from the visionary minds that rocked Broadway with Hedwig and the Angry Inch, Avenue Q, and Spring Awakening. Told through the story of a royal family embarking on an extravagant journey and set to the iconic music of the 1980s all-female band The Go-Go's, it includes such hit songs as "We Got the Beat," "Vacation," and Belinda Carlisle's "Heaven is a Place on Earth."

Conceived by and Original Book by Jeff Whitty, adaptation by James Magruder, music direction by Brian Cimmet.