Sunday, March 31, 2024

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.

Monday, April 1, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

A Star Is Born (1937)
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Cast: Janet Gaynor, Fredric March, Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, Edgar Kennedy
Director: William Wellman

An amazing restoration of this classic. The original version of this often-remade drama of a young rising Hollywood star (Gaynor) who marries a self-destructive movie actor (March). Fine performances and the new restoration has this movie looking and sounding better than it has in years. In Technicolor.

*SOLD OUT* Bywater Call
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Tuesday, April 2, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Jazz at Timber Banks: The Jazz Mafia with Vanessa Vacanti
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

Wednesday, April 3, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Danni Nichols with Adrianna Noone
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Celtic Woman 20th Anniversary Tour
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The Celtic Woman 20th Anniversary Tour will be delighting audiences with its fresh blend of traditional and contemporary Irish music that echoes Ireland's rich musical and cultural heritage, while reflecting the vibrant spirit of modern Ireland.

Thursday, April 4, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Artist Talk: Sophia Chai
Light Work Gallery

Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Talk presented in conjunction with the exhibit Sophia Chai: Character Space, followed by a reception 6:00-7:00 pm.

Miller & The Other Sinners
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Cruel April Poetry Reading
Point of Contact Gallery
Featuring Juan Felipe Herrera

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

The Dangerous Variety
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to 1961 and Club Polska where tonight local radio station WSKI will be recording their popular variety show The Hunky Dory Hour! You plan to laugh it up like always but the manager of the sausage factory where you work has mysteriously died and rumors flying around Kielbasi Park say it might be the notorious Pierogi Killer! But they're just rumors, right? You're not worried. The Impressive Sausage Company is sending their best man and if you can't trust a corporate fixer, who can you trust?

Cirque du Soleil: Corteo
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

The clown Mauro envisions that his own burial will take place amid a carnival atmosphere and be attended by tender angels. The show contrasts the grand with the intimate, the silly with the tragic, and the beauty of perfection with the appeal of imperfection. It also emphasizes the strength and vulnerability of the clown as well as his knowledge and generosity to represent the aspect of humanity that exists in each of us. Corteo is guided through a timeless ceremony in which fantasy teases reality with music, which is both poetic and mischievous.

Friday, April 5, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

2024 MFA Exhibition 2: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sarah Aristy, Jaleel Blanchard, Brianna Brescka, Cara Crowley, Markus Denil, Olivia Dovorany, Fatemeh Kazemi, Emily Kofsky, Lily LaGrange, Brady McDougall, grace otten, Anshul Roy, Stefanos Schultz, Angelica Starcovic, Katie Stone, Zelikha Zohra Shoja

Emergence
Syracuse City Ballet

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Emergence is about showing the rise of anew. The Spring program does just that with our mixed bill. This hand-crafted program takes off with the unique traditions of classical ballet and combines the rapid evolution and blend of the new age of contemporary dance.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Tonny International Live Jazz
Community Folk Art Center

Price: $20
Community Folk Art Center
805 E. Genesee St., Syracuse

Erin Harkes
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Ruthie Foster
Folkus Project

Price: $25 regular, $22 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

With a naturally expressive voice that has drawn comparisons to greats like Aretha Franklin and Ella Fitzgerald, Texas-based singer and songwriter Ruthie Foster has a wide palette of American song forms—gospel and blues to jazz, folk, and soul—and her live performances are powerfully transfiguring.

DWC Benefit Reading by Poet Georgia Popoff
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

Join us to celebrate Georgia Popoff's brand new collection of poems, Living with Haints, and support the important work of the DWC and Writers Voice Online! This event will be live at the DWC's Shinder Theater, but if you cannot join us in person, a Zoom link will be made available to you.

Plaza Suite
Central New York Playhouse
Amy Prieto, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Hilarity abounds in this portrait of three couples successively occupying a suite at The Plaza.

Karen and Sam are a long-married pair whose relationship may be headed for an early checkout. Muriel and Jesse are former high school sweethearts who seem destined for an extended stay. And Norma and Roy are the mother and father of the bride, ready to celebrate their daughter's nuptials — if only they can get her out of the bathroom.

Read a review!

Bernhardt/Hamlet
Syracuse Shakespeare-in-the-Park

Jazz Central
441 E. Washington St., Syracuse

Bernhardt/Hamlet is the story of a groundbreaking production of Hamlet by a woman at the beginning of the 20th century. This production promises to blend history with spellbinding performances, showcasing the timeless relevance of Shakespeare's work and the pioneering spirit of Sarah Bernhardt.

Cirque du Soleil: Corteo
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

The clown Mauro envisions that his own burial will take place amid a carnival atmosphere and be attended by tender angels. The show contrasts the grand with the intimate, the silly with the tragic, and the beauty of perfection with the appeal of imperfection. It also emphasizes the strength and vulnerability of the clown as well as his knowledge and generosity to represent the aspect of humanity that exists in each of us. Corteo is guided through a timeless ceremony in which fantasy teases reality with music, which is both poetic and mischievous.

Preview: Touch(ed)
Syracuse University Drama Department
Christine Albright-Tufts, director

Price: Free, but reservations required
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Kay has always worried about her sister Emma. Worried so much, in fact, that she's mostly put her own life – save for an unsatisfying job teaching science to middle schoolers – on hold, always on call for when Emma faces another mental health crisis. After years of medication and psychiatric hospitals, Kay and her novelist boyfriend Billy decide to bring Emma to a secluded cabin in the woods, as a sort of vacation from the doctors and therapy. But when Emma miraculously starts to get better, Kay is suddenly faced with a terrifying prospect: Finally taking care of herself. Darkly funny and unexpectedly tender, Bess Wohl's Touch(ed) is a deftly observed drama about navigating life, love, and loss in an age of endless anxieties.

Saturday, April 6, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

2024 MFA Exhibition 2: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sarah Aristy, Jaleel Blanchard, Brianna Brescka, Cara Crowley, Markus Denil, Olivia Dovorany, Fatemeh Kazemi, Emily Kofsky, Lily LaGrange, Brady McDougall, grace otten, Anshul Roy, Stefanos Schultz, Angelica Starcovic, Katie Stone, Zelikha Zohra Shoja

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Opening: Sofía Luz Pérez: My Shadow is My Teacher
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

Sofía Luz Pérez is a Mexican American artist born in Austin, Texas and raised in Central New York. Her work often depicts ancient feminine archetypes while referencing self-portraiture, bringing together the ancient wisdom of her pre-Colombian cultural heritage with her present-day self.

Swan Lake Act II and Bolero
Central New York Ballet

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Rediscover dance through the iconic, enigmatic fairy tale of Swan Lake and enjoy the bold, contemporary world premieres of pieces by Aldo Kattón and Jared Brunson.

Emergence
Syracuse City Ballet

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Emergence is about showing the rise of anew. The Spring program does just that with our mixed bill. This hand-crafted program takes off with the unique traditions of classical ballet and combines the rapid evolution and blend of the new age of contemporary dance.

Swan Lake Act II and Bolero
Central New York Ballet

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Rediscover dance through the iconic, enigmatic fairy tale of Swan Lake and enjoy the bold, contemporary world premieres of pieces by Aldo Kattón and Jared Brunson.

Emergence
Syracuse City Ballet

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

Emergence is about showing the rise of anew. The Spring program does just that with our mixed bill. This hand-crafted program takes off with the unique traditions of classical ballet and combines the rapid evolution and blend of the new age of contemporary dance.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Songs We Forgot to Remember: Hidden Gems of Love and Life, with Gossamer Edge
Civic Morning Musicals
Featuring Allyn Van Dusen, mezzo-soprano; Rita George Simmons, flute; Paula Rodney Bobb, piano

Price: $10
St. David's Episcopal Church
13 Jamar Dr., Dewitt

Gaetano Braga La Serenata
Benedikt Randhartinger Die Flote
Edvard Grieg "Solvay's Song" from Peer Gynt
Phillipe Gaubert Soir Paien
Georges Hue Fantaisie pour flute et piano and Soir Paien
Wanda Landowska Berceuse
Jules Massanet Elegie
Scottish Folk Song The Water is Wide
Irish Folk Song Down by the Salley Gardens
Native American Songs Sioux Serenade, In Mirrored Waters and By the Waters of Minnetonka

*SOLD OUT* The Hi-Jivers
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Windsync
Syracuse Friends of Chamber Music

H. W. Smith School Auditorium
1130 Salt Springs Rd., Syracuse

Viet Cuong Flora
Ravel/WindSync Bolero
Miguel del Aguila Sambeada
Gershwin Summertime
Mozart/Rechtman Serenade in C Minor, K. 388

Cirque du Soleil: Corteo
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

The clown Mauro envisions that his own burial will take place amid a carnival atmosphere and be attended by tender angels. The show contrasts the grand with the intimate, the silly with the tragic, and the beauty of perfection with the appeal of imperfection. It also emphasizes the strength and vulnerability of the clown as well as his knowledge and generosity to represent the aspect of humanity that exists in each of us. Corteo is guided through a timeless ceremony in which fantasy teases reality with music, which is both poetic and mischievous.

Plaza Suite
Central New York Playhouse
Amy Prieto, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Hilarity abounds in this portrait of three couples successively occupying a suite at The Plaza.

Karen and Sam are a long-married pair whose relationship may be headed for an early checkout. Muriel and Jesse are former high school sweethearts who seem destined for an extended stay. And Norma and Roy are the mother and father of the bride, ready to celebrate their daughter's nuptials — if only they can get her out of the bathroom.

Read a review!

Cirque du Soleil: Corteo
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

The clown Mauro envisions that his own burial will take place amid a carnival atmosphere and be attended by tender angels. The show contrasts the grand with the intimate, the silly with the tragic, and the beauty of perfection with the appeal of imperfection. It also emphasizes the strength and vulnerability of the clown as well as his knowledge and generosity to represent the aspect of humanity that exists in each of us. Corteo is guided through a timeless ceremony in which fantasy teases reality with music, which is both poetic and mischievous.

Bernhardt/Hamlet
Syracuse Shakespeare-in-the-Park

Jazz Central
441 E. Washington St., Syracuse

Bernhardt/Hamlet is the story of a groundbreaking production of Hamlet by a woman at the beginning of the 20th century. This production promises to blend history with spellbinding performances, showcasing the timeless relevance of Shakespeare's work and the pioneering spirit of Sarah Bernhardt.

Opening: Touch(ed)
Syracuse University Drama Department
Christine Albright-Tufts, director

Price: Free, but reservations required
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Kay has always worried about her sister Emma. Worried so much, in fact, that she's mostly put her own life – save for an unsatisfying job teaching science to middle schoolers – on hold, always on call for when Emma faces another mental health crisis. After years of medication and psychiatric hospitals, Kay and her novelist boyfriend Billy decide to bring Emma to a secluded cabin in the woods, as a sort of vacation from the doctors and therapy. But when Emma miraculously starts to get better, Kay is suddenly faced with a terrifying prospect: Finally taking care of herself. Darkly funny and unexpectedly tender, Bess Wohl's Touch(ed) is a deftly observed drama about navigating life, love, and loss in an age of endless anxieties.

Sunday, April 7, 2024

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Rachel Ivy Clarke: Material Interactions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Rachel Ivy Clarke assigns specific fabrics, colors, and shapes to represent various data points about visitors, such as their hometown or the distance they traveled to get to the event, creating quilt designs based on their information. The resulting quilt is a collaborative snapshot of an event that brings together two seemingly disparate things: folk arts — a traditional form of slow, small, community-based creation — and data reflective of our contemporary society, which is rooted in rapid technological advances and the capitalization of mass communication and manufacturing. Shown together, the quilts provide a colorful and creative vision of different communities across the state while also providing a powerful example of how artists can help present data in a more visually effective way.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

2024 MFA Exhibition 2: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sarah Aristy, Jaleel Blanchard, Brianna Brescka, Cara Crowley, Markus Denil, Olivia Dovorany, Fatemeh Kazemi, Emily Kofsky, Lily LaGrange, Brady McDougall, grace otten, Anshul Roy, Stefanos Schultz, Angelica Starcovic, Katie Stone, Zelikha Zohra Shoja

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Swan Lake Act II and Bolero
Central New York Ballet

Carrier Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Rediscover dance through the iconic, enigmatic fairy tale of Swan Lake and enjoy the bold, contemporary world premieres of pieces by Aldo Kattón and Jared Brunson.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Setnor at Carnegie Hall Preview Concert
Hendricks Chapel

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

This program showcases a handful of outstanding Setnor School of Music students nominated by the faculty to represent Syracuse University in a special concert Carnegie Hall's Weill Recital Hall in New York City on April 19. Join us to hear this performance before it goes on the road!

The concert will reflect the wonderful variety of music that takes place at the Setnor School of Music, including jazz combos, chamber music, student compositions, and virtuosic solos.

Cirque du Soleil: Corteo
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

The clown Mauro envisions that his own burial will take place amid a carnival atmosphere and be attended by tender angels. The show contrasts the grand with the intimate, the silly with the tragic, and the beauty of perfection with the appeal of imperfection. It also emphasizes the strength and vulnerability of the clown as well as his knowledge and generosity to represent the aspect of humanity that exists in each of us. Corteo is guided through a timeless ceremony in which fantasy teases reality with music, which is both poetic and mischievous.

Plaza Suite
Central New York Playhouse
Amy Prieto, director

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Hilarity abounds in this portrait of three couples successively occupying a suite at The Plaza.

Karen and Sam are a long-married pair whose relationship may be headed for an early checkout. Muriel and Jesse are former high school sweethearts who seem destined for an extended stay. And Norma and Roy are the mother and father of the bride, ready to celebrate their daughter's nuptials — if only they can get her out of the bathroom.

Read a review!

Bernhardt/Hamlet
Syracuse Shakespeare-in-the-Park

Jazz Central
441 E. Washington St., Syracuse

Bernhardt/Hamlet is the story of a groundbreaking production of Hamlet by a woman at the beginning of the 20th century. This production promises to blend history with spellbinding performances, showcasing the timeless relevance of Shakespeare's work and the pioneering spirit of Sarah Bernhardt.

Touch(ed)
Syracuse University Drama Department
Christine Albright-Tufts, director

Price: Free, but reservations required
Loft Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Kay has always worried about her sister Emma. Worried so much, in fact, that she's mostly put her own life – save for an unsatisfying job teaching science to middle schoolers – on hold, always on call for when Emma faces another mental health crisis. After years of medication and psychiatric hospitals, Kay and her novelist boyfriend Billy decide to bring Emma to a secluded cabin in the woods, as a sort of vacation from the doctors and therapy. But when Emma miraculously starts to get better, Kay is suddenly faced with a terrifying prospect: Finally taking care of herself. Darkly funny and unexpectedly tender, Bess Wohl's Touch(ed) is a deftly observed drama about navigating life, love, and loss in an age of endless anxieties.

Speakeasy Serenade: A Prohibition Cabaret
Baldwinsville Theatre Guild
Janna Kozloski and Ryan Sparkes, director

Mohegan Manor
58 Oswego St., Baldwinsville

The Prohibition era was a period in the United States from 1920 to 1933, during which a nationwide constitutional law prohibited the production, importation, transportation, and sale of alcoholic beverages was enacted. The alcohol industry was curtailed by a succession of state legislatures, and finally ended nationwide under the 18th Amendment to the United States Constitution, ratified on January 16, 1919. Speakeasy bars came into prominence in the United States during the Prohibition.

Prohibition ended with the ratification of the 21st Amendment, which repealed the 18th Amendment on December 5, 1933, at which point the Speakeasies largely disappeared.

Come dressed in your 1920s finest and join us for a drink and music of the era! Music directed by Colin Keating.