Thursday, March 28, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

2024 MFA Exhibition 1: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sam Bray, Tevvon Hines, Eric Jager, Grace Kerr, Jared leClaire, Yushan Liu, Jessie McClanahan, Qianli Tian, Ze Tian, Greeshma Chenni Veetil, Jasmine Veronica, Kate Warren, Declan Yert, Ghazal Yousefi, Haoran Zeng, Robert Zumwalt

Art Unveiling Ceremony: The Ancestor as Foundation
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

You are cordially invited to witness the art unveiling of "The Ancestor as Foundation," crafted by artist David MacDonald, Professor Emeritus. This captivating artwork has been commissioned and generously gifted to the Department of African American Studies in honor of the legendary Toni Morrison; the Jeannette K. Watson Distinguished Visiting Professor in the Humanities at Syracuse University (1988) by by the esteemed Dr. Janis A. Mayes, Emerita faculty.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Donna Colton & Sam Patterelli
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Gritty, buttery, and soul-piercing have all been used to describe the vocals of Donna Colton. A seasoned veteran of the local music scene, her songwriting and CDs have garnered national and international attention. Solo showcases at the legendary Bitter End and Spiral Club in New York City and at the Bluebird Cafe in Nashville led to live performances for national TV and radio shows. In 2009 she became one of the few women to be inducted into the Syracuse Area Music Awards Hall of Fame.

Colton will be joined on stage by her husband and bandmate, Sam Patterelli, AKA Sam Troublemaker, making music they call an acoustic tangle of Broken Folk and Twang Rock.

The Dangerous Variety
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to 1961 and Club Polska where tonight local radio station WSKI will be recording their popular variety show The Hunky Dory Hour! You plan to laugh it up like always but the manager of the sausage factory where you work has mysteriously died and rumors flying around Kielbasi Park say it might be the notorious Pierogi Killer! But they're just rumors, right? You're not worried. The Impressive Sausage Company is sending their best man and if you can't trust a corporate fixer, who can you trust?

Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.

Friday, March 29, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

2024 MFA Exhibition 1: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sam Bray, Tevvon Hines, Eric Jager, Grace Kerr, Jared leClaire, Yushan Liu, Jessie McClanahan, Qianli Tian, Ze Tian, Greeshma Chenni Veetil, Jasmine Veronica, Kate Warren, Declan Yert, Ghazal Yousefi, Haoran Zeng, Robert Zumwalt

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Modafferi CD Release Show
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

If Tom Petty and Elvis Costello had a love child, it would sound like Modafferi.

Singer-songwriter Brian Modafferi fronts the band with his power soulful voice and guitar, rolling out great originals, rare covers, and groovy b-sides by much loved, but seldom heard artists. Writing at a young age, Brian is an inventive and clever musician and songwriter, with wide-open vulnerability and honesty within it. It feels both raw and very refined, all at once.

Tamaralee Shutt provides vocals that reflect her years of vocalizing with big bands, jazz combos, soul-funk party bands, swampy blues bands and indie rock groups, while keeping it down on the bass.

No Exit
Building Company Theater
Krystal Osborne, director

Price: Pay what you will
Community Folk Art Center
805 E. Genesee St., Syracuse

Jean Paul Sartre's No Exit revolves around three individuals with wildly different backgrounds who find themselves trapped together and are forced to reconcile their respective lives, deeds, and morals. In a world where we are haunted by our differences, can we find salvation in one another?

Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.

Saturday, March 30, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

2024 MFA Exhibition 1: Unsettled, Unbridled, Unbound
Syracuse University School of Art and Design

Nancy Cantor Warehouse
350 W. Fayette St., Syracuse

The exhibit features the work of 38 artists completing their master of fine arts degree in studio arts, illustration, and film and media arts, and shown in three sequential exhibitions: March 22-30, April 5-13, and April 19-28.

The exhibit provides an opportunity to experience the latest work by emerging artists as they grapple with what it means to make art in this socio-political moment. Spanning disciplines that include painting, sculpture, ceramics, printmaking, photography, film, video, installation, and performance, the exhibition offers a glimpse into the artists' diverse practices and innovative approaches.

Featured artists:
Sam Bray, Tevvon Hines, Eric Jager, Grace Kerr, Jared leClaire, Yushan Liu, Jessie McClanahan, Qianli Tian, Ze Tian, Greeshma Chenni Veetil, Jasmine Veronica, Kate Warren, Declan Yert, Ghazal Yousefi, Haoran Zeng, Robert Zumwalt

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Matt Rife: ProbleMATTic World Tour
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Matt Rife is one of the hottest up-and-coming comedians in the industry. His style is refreshingly genuine and quick-witted. Performing since the age of 15 in Columbus, OH, he started his career opening for comedians such as Dane Cook, Ralphie May, and DeRay Davis. Matt made his television debut when he became the youngest cast member in history on MTV's "Wild N Out." He performed on the show for 4 seasons before moving on to hosting MTV's reboot of "TRL."

Matt also appeared on "Brooklyn Nine-Nine", "Fresh Off the Boat", MTV's "The Challenge", and BET's "North of the 10." Rife recently finished competing in NBC's new comedy competition show "Bring The Funny" and self-produced his very first 1- Hour Comedy Special "Only Fans". Matt is now based in Los Angeles and headlining his own tour across the country. Don't miss his charmingly naive performance!

Matt Rife: ProbleMATTic World Tour
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Matt Rife is one of the hottest up-and-coming comedians in the industry. His style is refreshingly genuine and quick-witted. Performing since the age of 15 in Columbus, OH, he started his career opening for comedians such as Dane Cook, Ralphie May, and DeRay Davis. Matt made his television debut when he became the youngest cast member in history on MTV's "Wild N Out." He performed on the show for 4 seasons before moving on to hosting MTV's reboot of "TRL."

Matt also appeared on "Brooklyn Nine-Nine", "Fresh Off the Boat", MTV's "The Challenge", and BET's "North of the 10." Rife recently finished competing in NBC's new comedy competition show "Bring The Funny" and self-produced his very first 1- Hour Comedy Special "Only Fans". Matt is now based in Los Angeles and headlining his own tour across the country. Don't miss his charmingly naive performance!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Guest Lecture: Suffragists & Abolitionists
Onondaga Historical Association

Onondaga Historical Association
321 Montgomery St., Syracuse

An in-depth illustrated talk by Beth Crawford of "some well-behaved" 19th-century social reformers and their historic houses, featuring Central New York's most prominent suffragists and abolitionists: Harriet May Mills in Syracuse, Isabel Howland in Sherwood, Harriet Tubman in Auburn, Matilda Joslyn Gage in Fayetteville, and the Barnes family in Syracuse.

JW Jones
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Billboard Top 10 Blues Artist, 2020 IBC Winner, and JUNO Nominee, Canadian singer/guitarist JW-Jones is known for his high-energy shows.

The Atta Boys
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

No Exit
Building Company Theater
Krystal Osborne, director

Price: Pay what you will
Community Folk Art Center
805 E. Genesee St., Syracuse

Jean Paul Sartre's No Exit revolves around three individuals with wildly different backgrounds who find themselves trapped together and are forced to reconcile their respective lives, deeds, and morals. In a world where we are haunted by our differences, can we find salvation in one another?

Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.

No Exit
Building Company Theater
Krystal Osborne, director

Price: Pay what you will
Community Folk Art Center
805 E. Genesee St., Syracuse

Jean Paul Sartre's No Exit revolves around three individuals with wildly different backgrounds who find themselves trapped together and are forced to reconcile their respective lives, deeds, and morals. In a world where we are haunted by our differences, can we find salvation in one another?

Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.

Sunday, March 31, 2024

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

David Edward Johnson: No Roses in December
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Based in Skaneateles, David Edward Johnson creates mixed media assemblages that address belief systems, the birth and death of the American Dream, and the effects of loss at a personal level. No Roses in December features a series of works in which Johnson explores his father's diagnosis of and descent into dementia. Johnson pairs his own photographs of bleak West Texas vistas and abandoned adobe dwellings with abstract mixed media painting, vintage papers, found objects, and other ephemera as a way to evoke fragmented shards of memory that mimic his father's state of mind. The series title references a poem by Geoffrey Anketell Studdert-Kennedy that was popularized in a speech about courage by Peter Pan author JM Barrie: "God gave us memory so that we might have roses in December." Without memories, we have no blooms in the chill of the December of life.

David Edward Johnson: No Roses in December is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Central NY Watercolor Society Exhibit
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region. The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Murder on the Orient Express
Syracuse Stage
Robert Hupp, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Wherever Agatha Christie's famed detective Hercule Poirot goes, murder is never far behind! On his journey home from Istanbul to London on the luxurious Orient Express, an avalanche stops the train and Poirot must interrogate the parade of passengers, solve the murder, and save the reputation of the famous train before the killer strikes again. The ultimate whodunit! Adapted by Ken Ludwig.

Monday, April 1, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

A Star Is Born (1937)
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Cast: Janet Gaynor, Fredric March, Adolphe Menjou, May Robson, Andy Devine, Lionel Stander, Edgar Kennedy
Director: William Wellman

An amazing restoration of this classic. The original version of this often-remade drama of a young rising Hollywood star (Gaynor) who marries a self-destructive movie actor (March). Fine performances and the new restoration has this movie looking and sounding better than it has in years. In Technicolor.

*SOLD OUT* Bywater Call
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Tuesday, April 2, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Jazz at Timber Banks: The Jazz Mafia with Vanessa Vacanti
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

Wednesday, April 3, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Jewels from the Fire: 20th Century Enamels
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Everson Museum houses a significant collection of enamels by artists including June Schwarcz, Edward H. Winter, and Ellamarie and Jackson Woolley. Several leading ceramists — for example, Carleton Ball and Jade Snow Wong — also worked in enamel. Exhibition spaces that show ceramics have often championed enamels too, including the Everson's own Ceramic National exhibitions. After waning in popularity in the mid-20th century, enamels are enjoying a comeback thanks to new technologies and the proliferation of community studios and makerspaces that provide shared equipment and knowledge.

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Danni Nichols with Adrianna Noone
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Celtic Woman 20th Anniversary Tour
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The Celtic Woman 20th Anniversary Tour will be delighting audiences with its fresh blend of traditional and contemporary Irish music that echoes Ireland's rich musical and cultural heritage, while reflecting the vibrant spirit of modern Ireland.

Thursday, April 4, 2024

Sharon Bottle Souva: Quilts for All Seasons
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A collection of wall quilts depicting nature at various times of the year.

Implication
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Abstract(ed) paintings by Penny Santy and Barb Vural, with glass marbles and pendants by Doug Williams and natural-elelments jewelry by Esperanza Tielbaard

Highlights from the Light Work Collection: Dawoud Bey
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Curated from our collection, Light Work is pleased to present a selection from two of Dawoud Bey's photographic projects: An American Project and Embracing Eatonville.

Black-and-white images from An American Project, made in Syracuse in 1985 during his artist residency, chronicle the community and history of the city. Embracing Eatonville was a photographic survey of Eatonville, FL — the oldest Black-incorporated town in the United States — that featured work by Dawoud Bey, Lonnie Graham, Carrie Mae Weems, and Deborah Willis, and was exhibited at Light Work in 2003. Bey made color photographs of high school students combining their portraits with text sharing personal hopes, fears, and dreams.

Sophia Chai: Character Space
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

In 1987, Chai immigrated to New York City from South Korea as a teenager without knowing English. Looking back, she has described that experience as feeling untethered to any internal compass that she could use to navigate her place in a new country with a new language. She visually explains these experiences to us by reinterpreting the Korean language's characters in photographs that enable us to see the contradictions of visual and verbal communication. Her images rest in the space between intellect and intuition. Chai's curiosity about the interior space of her tool — the large format camera, comparable to the interior space of a mouth — leads to the idea of the camera obscura, a darkened room with a small opening to the world.

Art Wall Project: Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project features photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

The Syracuse University Art Museum's new Art Wall initiative is dedicated to site-specific works by emerging and leading contemporary artists, commissioned annually.

Assembly: Syracuse University Voices on Art and Ecology
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Assembly" features artworks made by Syracuse University faculty and recent alumni that contribute to emergent forms of ecological understanding. By placing these works in dialogue with objects from the Museum's collection, the installation considers a broad cultural evolution from an environmentalism of the sublime to an ecology of intimacy.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Sana Musasama: Returning to Ourselves
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Throughout her career, Queens-based artist Sana Musasama has drawn inspiration from travel and research into global cultures. "Returning to Ourselves" centers around a series of dolls that Musasama produced that mirror African-American topsy-turvy dolls containing a white doll whose skirt can be flipped up to transform it into a Black doll.

Musasama uses this formal structure to juxtapose different figures drawn from the global Black diaspora. "Returning to Ourselves" is rounded out by a series of ceramic houses Musasama began early in her career but returned to during the pandemic to combat looming depression.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Janet Biggs: Imagination and Desire in a Northern Landscape
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

In 2009 and 2010, Janet Biggs traveled to the Norwegian archipelago of Svalbard with a crew of artists and scientists to document the changing Arctic landscape. As the subject of centuries of exploration, the Arctic was once seen as indifferent to human enterprise, so vast and inhospitable as to be immune to any imposition. Today, scientists expect climate change to leave Arctic summers ice-free as early as the next decade, and Svalbard, located halfway between Europe and the North Pole, finds itself at the epicenter of this metamorphoses. Using footage compiled on her voyages north, Biggs explores this history and the alarming consequences of human enterprise in three videos: Warning Shot (2016), Brightness All Around (2011), and Fade to White (2010). Shown together, these works are a clarion call for a heroic landscape that will completely transform within our lifetimes.

Crossing Space and Time: Figurative Ceramics by Jee Eun Lee
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Jee Eun Lee is a Professor of Art at Northern Kentucky University and received an MFA from Syracuse University and from Ewha Women's University in Seoul, Korea. Her ethereal figurative ceramics are inspired by nature, memory, and dreams. Through her artwork, Lee aims to communicate "a calm, serene moment of meditation during our chaotic times."

Look At What We Got!
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

We're opening the doors to our collections and displaying an eclectic collection of unique objects and archival items. As part of our mission to preserve our community's past, OHA curatorial and archival staff has been collecting the tangible local history from donors near and far. Many of those donations from the past 5 years have been gathered together into one exhibit for your viewing pleasure, and to showcase the generosity of our donors.

This exhibit includes unusual, fascinating, and amusing items recently donated to OHA. Museum objects and archival items to be displayed include photographs of the Syracuse Nationals professional basketball team and other local sports team items, Loew's State Theater (now Landmark Theater) architectural drawings from 1926-1927, and story boards from the local TV show The Magic Toy Shop. Other items include furniture made by the Syracuse Ornamental Company (SYROCO), artwork, wicker furniture, clothing and accessories, children's toys, as well as a television set and a Play-Talk Electronic Toy made by General Electric at Electronics Park in Liverpool, NY.

These are just some of the historical treasures that will captivate guests of all interests and ages, so start reliving our community's past, and come Look At What We Got!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Artist Talk: Sophia Chai
Light Work Gallery

Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Talk presented in conjunction with the exhibit Sophia Chai: Character Space, followed by a reception 6:00-7:00 pm.

Miller & The Other Sinners
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Cruel April Poetry Reading
Point of Contact Gallery
Featuring Juan Felipe Herrera

Price: Free
La Casita Cultural Center
109 Otisco St., Syracuse

The Dangerous Variety
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Welcome to 1961 and Club Polska where tonight local radio station WSKI will be recording their popular variety show The Hunky Dory Hour! You plan to laugh it up like always but the manager of the sausage factory where you work has mysteriously died and rumors flying around Kielbasi Park say it might be the notorious Pierogi Killer! But they're just rumors, right? You're not worried. The Impressive Sausage Company is sending their best man and if you can't trust a corporate fixer, who can you trust?

Cirque du Soleil: Corteo
The Oncenter

War Memorial at Oncenter
800 S. State St., Syracuse

The clown Mauro envisions that his own burial will take place amid a carnival atmosphere and be attended by tender angels. The show contrasts the grand with the intimate, the silly with the tragic, and the beauty of perfection with the appeal of imperfection. It also emphasizes the strength and vulnerability of the clown as well as his knowledge and generosity to represent the aspect of humanity that exists in each of us. Corteo is guided through a timeless ceremony in which fantasy teases reality with music, which is both poetic and mischievous.