Thursday, December 28, 2023

Holiday Hues
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Linda Bigness: encaustic with mixed media paintings reflecting nature
Geoff Navias: sacred vessels made from trees felled by climate change storms
Susan Machamer: floral collection sculptural jewelry made with precious metal and unique gemstones
Marna Bell: local nature photography

38th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 children 3–17, free ages 2 and under (museum members free)
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

A Christmas Carol
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Charles Dickens' A Christmas Carol shines a light on the power of kindness and love in this uplifting tale of Ebenezer Scrooge and his journey to redemption. As the weather turns cold, audiences will warm their hearts along with the memorable cast, the lush and joyous Candlelight Carol, and the awe-inspiring 2 Ring Circus. Share the season with the people you love!

Adapted by Richard Hellesen and David DeBerry with music orchestration by Gregg Coffin. Co-Produced with the Syracuse University Department of Drama.

Hijacked Holiday
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Millie the copy girl has packed her favorite portfolio of copies and headed for the North Pole with hopes of marrying the big guy. Things go south fast, however, when she finds she's stepped into a crime scene. Someone has stolen all the Christmas toys right before they were to be packed into Santa's sleigh and now everyone is a suspect. It's going to be one heck of a Christmas Eve figuring out who's been naughty or nice.

Friday, December 29, 2023

Holiday Hues
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Linda Bigness: encaustic with mixed media paintings reflecting nature
Geoff Navias: sacred vessels made from trees felled by climate change storms
Susan Machamer: floral collection sculptural jewelry made with precious metal and unique gemstones
Marna Bell: local nature photography

38th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 children 3–17, free ages 2 and under (museum members free)
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

Expressive Inclusion
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Expressive Inclusion" features artists from ARC Herkimer and ARISE. "Expressive Inclusion" draws select work from ARISE's "Unique" exhibit formerly displayed at the Everson and ARC Herkimer's "Art without Boundaries" which traveled around the region.

ARISE for 23 years has published UNIQUE Art and Literary Magazine to showcase the powerful work of people who identify as having a disability. Each artist or writer not only contributes their piece to the magazine but also writes a few sentences about how their experience with disability influences their work. A panel of community judges selects the items to be published each summer.

ARC Herkimer's "Art Without Boundaries" allows audiences to view artwork by individuals with disabilities as well as work created by ARC Herkimer staff.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

A Christmas Carol
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Charles Dickens' A Christmas Carol shines a light on the power of kindness and love in this uplifting tale of Ebenezer Scrooge and his journey to redemption. As the weather turns cold, audiences will warm their hearts along with the memorable cast, the lush and joyous Candlelight Carol, and the awe-inspiring 2 Ring Circus. Share the season with the people you love!

Adapted by Richard Hellesen and David DeBerry with music orchestration by Gregg Coffin. Co-Produced with the Syracuse University Department of Drama.

A Christmas Carol
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Charles Dickens' A Christmas Carol shines a light on the power of kindness and love in this uplifting tale of Ebenezer Scrooge and his journey to redemption. As the weather turns cold, audiences will warm their hearts along with the memorable cast, the lush and joyous Candlelight Carol, and the awe-inspiring 2 Ring Circus. Share the season with the people you love!

Adapted by Richard Hellesen and David DeBerry with music orchestration by Gregg Coffin. Co-Produced with the Syracuse University Department of Drama.

Saturday, December 30, 2023

Holiday Hues
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Linda Bigness: encaustic with mixed media paintings reflecting nature
Geoff Navias: sacred vessels made from trees felled by climate change storms
Susan Machamer: floral collection sculptural jewelry made with precious metal and unique gemstones
Marna Bell: local nature photography

38th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 children 3–17, free ages 2 and under (museum members free)
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

Expressive Inclusion
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Expressive Inclusion" features artists from ARC Herkimer and ARISE. "Expressive Inclusion" draws select work from ARISE's "Unique" exhibit formerly displayed at the Everson and ARC Herkimer's "Art without Boundaries" which traveled around the region.

ARISE for 23 years has published UNIQUE Art and Literary Magazine to showcase the powerful work of people who identify as having a disability. Each artist or writer not only contributes their piece to the magazine but also writes a few sentences about how their experience with disability influences their work. A panel of community judges selects the items to be published each summer.

ARC Herkimer's "Art Without Boundaries" allows audiences to view artwork by individuals with disabilities as well as work created by ARC Herkimer staff.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

A Christmas Carol
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Charles Dickens' A Christmas Carol shines a light on the power of kindness and love in this uplifting tale of Ebenezer Scrooge and his journey to redemption. As the weather turns cold, audiences will warm their hearts along with the memorable cast, the lush and joyous Candlelight Carol, and the awe-inspiring 2 Ring Circus. Share the season with the people you love!

Adapted by Richard Hellesen and David DeBerry with music orchestration by Gregg Coffin. Co-Produced with the Syracuse University Department of Drama.

A Christmas Carol
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Charles Dickens' A Christmas Carol shines a light on the power of kindness and love in this uplifting tale of Ebenezer Scrooge and his journey to redemption. As the weather turns cold, audiences will warm their hearts along with the memorable cast, the lush and joyous Candlelight Carol, and the awe-inspiring 2 Ring Circus. Share the season with the people you love!

Adapted by Richard Hellesen and David DeBerry with music orchestration by Gregg Coffin. Co-Produced with the Syracuse University Department of Drama.

Sunday, December 31, 2023

38th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 children 3–17, free ages 2 and under (museum members free)
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

Expressive Inclusion
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Expressive Inclusion" features artists from ARC Herkimer and ARISE. "Expressive Inclusion" draws select work from ARISE's "Unique" exhibit formerly displayed at the Everson and ARC Herkimer's "Art without Boundaries" which traveled around the region.

ARISE for 23 years has published UNIQUE Art and Literary Magazine to showcase the powerful work of people who identify as having a disability. Each artist or writer not only contributes their piece to the magazine but also writes a few sentences about how their experience with disability influences their work. A panel of community judges selects the items to be published each summer.

ARC Herkimer's "Art Without Boundaries" allows audiences to view artwork by individuals with disabilities as well as work created by ARC Herkimer staff.

A Christmas Carol
Syracuse Stage
Syracuse University Drama Department
Melissa Rain Anderson, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Charles Dickens' A Christmas Carol shines a light on the power of kindness and love in this uplifting tale of Ebenezer Scrooge and his journey to redemption. As the weather turns cold, audiences will warm their hearts along with the memorable cast, the lush and joyous Candlelight Carol, and the awe-inspiring 2 Ring Circus. Share the season with the people you love!

Adapted by Richard Hellesen and David DeBerry with music orchestration by Gregg Coffin. Co-Produced with the Syracuse University Department of Drama.

Hijacked Holiday
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Millie the copy girl has packed her favorite portfolio of copies and headed for the North Pole with hopes of marrying the big guy. Things go south fast, however, when she finds she's stepped into a crime scene. Someone has stolen all the Christmas toys right before they were to be packed into Santa's sleigh and now everyone is a suspect. It's going to be one heck of a Christmas Eve figuring out who's been naughty or nice.

Tuesday, January 2, 2024

Holiday Hues
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Linda Bigness: encaustic with mixed media paintings reflecting nature
Geoff Navias: sacred vessels made from trees felled by climate change storms
Susan Machamer: floral collection sculptural jewelry made with precious metal and unique gemstones
Marna Bell: local nature photography

38th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 children 3–17, free ages 2 and under (museum members free)
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Wednesday, January 3, 2024

Holiday Hues
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Linda Bigness: encaustic with mixed media paintings reflecting nature
Geoff Navias: sacred vessels made from trees felled by climate change storms
Susan Machamer: floral collection sculptural jewelry made with precious metal and unique gemstones
Marna Bell: local nature photography

38th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 children 3–17, free ages 2 and under (museum members free)
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

Thursday, January 4, 2024

Holiday Hues
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Linda Bigness: encaustic with mixed media paintings reflecting nature
Geoff Navias: sacred vessels made from trees felled by climate change storms
Susan Machamer: floral collection sculptural jewelry made with precious metal and unique gemstones
Marna Bell: local nature photography

38th Annual Gingerbread Gallery
Erie Canal Museum

Price: $10 regular, $7 seniors, $4 children 3–17, free ages 2 and under (museum members free)
Erie Canal Museum
318 Erie Blvd. E., Syracuse

Each year the Erie Canal Museum transforms into a festive 1800s canal town street scene with gingerbread creations on display in storefront windows.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.