Monday, September 16, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Blood on the Moon (1948)
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Cast: Robert Mitchum, Robert Preston, Walter Brennan, Barbara Bel Geddes, Frank Faylen, Phyllis Thaxter, Charles McGraw
Director: Robert Wise

A tough no-nonsense Western based on a novel by Luke Short. A drifter (Mitchum) is hired by a slick con man (Preston) to help cheat some unsuspecting landowners ... but Mitchum decides he doesn't like the scheme and realizes it needs to be stopped. A great story, interesting characters and plenty of action combine to make this a terrific Western drama.

Tuesday, September 17, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Justin Torres
Friends of the Central Library Author Series

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Justin Torres is an American novelist and an Associate Professor of English at UCLA. He is the author of Blackouts, which won the 2023 National Book Award in Fiction. He is also the author of We the Animals which has been translated into 15 languages and was adapted into a feature film. The story is loosely based on his childhood upbringing in Baldwinsville, NY, the youngest of three brothers. His short fiction and essays have been featured in The New Yorker, Harper's, The Washington Post, LA Times Image Magazine, and Best American Essays.

Wednesday, September 18, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Walking and Talking Wednesday: Historical Lunchtime Tour of Downtown Syracuse
Onondaga Historical Association

Price: $15 OHA members, $20 non-members
Onondaga Historical Association
321 Montgomery St., Syracuse

Spend your midweek lunch hour with Curator of History Robert Searing, listening to some local history as you get in a midday walk around town.

The tour leaves from OHA's downtown museum at 321 Montgomery Street at 12:00 and ends in Clinton Square. The tour will last approximately 45-60 minutes and covers a wide array of topics, including abolition, architecture, general historical happenings, and some of the city's lost historical treasures.

The Second City 65th Anniversary Show
Syracuse Stage

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Directed by Marla Cáceres with music direction by Kai Elise, "The Second City 65th Anniversary Show" features songs, sketches and characters written by some of Second City's illustrious alumni — including Tina Fey, Keegan-Michael Key, Stephen Colbert, Bill Murray, Eugene Levy and many more — and is brought hilariously to life by an all-star ensemble including Tina Arfaee, Cat McDonnell, Zoe McKee, Bill Leitz, Preston Parker and Cassidy Russell.

Thursday, September 19, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Paulina Velázquez Solís: Unseen/forgotten: Ode to the humble landscape
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Unseen/forgotten: Ode to the humble landscape | Invisible/olvidado: Oda al paisaje humilde is a continuation of the project A river of all ages that Paulina Velázquez Solís developed during the pandemic. She found herself in a new environment in Brooktondale NY, surrounded by a creek where the change of pace and isolation brought via COVID accentuated the sound perception of the river, and its presence as a neighbor and living entity.

This sonic connection was similar to her home in Costa Rica, which is also next to a river, making the sound experience of the river both grounding and nostalgic. This experience brought a new perspective not only in the sense of place through bodies of water but also in the creatures and plants that are particular to a place.

Unseen/forgotten: continues these observations focusing on plants of Central New York natural areas that present a post-industrial natural wonder – where many species prevail after the severe deforestation through the end of the 19th century and the start of the 1900s, presenting through visuals, media performance and soundscapes, stories learned during the explorations of natural areas, and visits at the L. H. Bailey Hortorium Herbarium at Cornell University.

Screening begins at dusk.

Sallywood
Syracuse International Film Festival

Price: Free
Manlius Village Library
Manlius Village Center, 1 Arkie Albanese Dr., Manlius

Based on the true-life story of a 20-something writer who's been inspired by the movies of actress Sally Kirkland since childhood, he gets up his courage to take the leap to move from his small town in Maine to Hollywood and pursue his career dreams. In a chance meeting with Sally the week he arrives, she hires him on the spot to be her personal assistant and so much more.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Westcott Thursdays: Mike Powell and Stephen Phillips

Price: Free
Westcott Business District
Westcott St., Syraucuse

The Sound of Murder
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

High on a hill died a lonely goatherd and some people around the Abbey are beginning to get the idea that sweet little Maria just might be a budding serial killer. Is she now at 16, going on 17? What exactly are her favorite things? Mother Abbess and her new assistant, Sister Adolph, are calling in all nuns and townsfolk to decide what to do. Even the pompous Captain Von Trampp and his bratty children will be there. Don't be late. You don't want Sister Adolph shaking her carrot at you.

The Second City 65th Anniversary Show
Syracuse Stage

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Directed by Marla Cáceres with music direction by Kai Elise, "The Second City 65th Anniversary Show" features songs, sketches and characters written by some of Second City's illustrious alumni — including Tina Fey, Keegan-Michael Key, Stephen Colbert, Bill Murray, Eugene Levy and many more — and is brought hilariously to life by an all-star ensemble including Tina Arfaee, Cat McDonnell, Zoe McKee, Bill Leitz, Preston Parker and Cassidy Russell.

Friday, September 20, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Herstory of Schnellmode
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Herstory of Schnellmode" is a fashion exhibit including a walk-through timeline of Schnellmode as a brand, and a runway show of the brand's latest collection.

The "Herstory" exhibit itself is a showcase to inspire the public to make the art that moves them. The fashion show event's purpose is to highlight the beauty that exists in the diversity of the city we live in; to promote local talent, models, and ensure as many local communities are represented as possible; and to invite the public to see what beauty resides right in our own city, through collaboration of expertise.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Opening: Weird Barrio / Por mi barrio
La Casita Cultural Center

La Casita Cultural Center
109 Otisco St., Syracuse

The opening event will include a walking tour and artist talk by Manuel Matías, followed by live music from Grupo Pagán, and a buffet of authentic Caribbean cuisine.

Weird Barrio, the art of Syracuse-based Puerto Rican artist Manuel Matías, depicts the Latino barrio experience in intricate detail. At its core, it is a testament to the power of storytelling and visual representation in shaping collective identity and fostering a sense of belonging within marginalized communities. By intricately depicting familiar settings, Westside neighborhood streets, community buildings, home environments, and conceptual representations of a unique and distinctive character, Matías invites viewers to immerse themselves in the rich tapestry of life in the barrios, capturing the essence of kinship and cultural pride that define these neighborhoods.

Paulina Velázquez Solís: Unseen/forgotten: Ode to the humble landscape
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Unseen/forgotten: Ode to the humble landscape | Invisible/olvidado: Oda al paisaje humilde is a continuation of the project A river of all ages that Paulina Velázquez Solís developed during the pandemic. She found herself in a new environment in Brooktondale NY, surrounded by a creek where the change of pace and isolation brought via COVID accentuated the sound perception of the river, and its presence as a neighbor and living entity.

This sonic connection was similar to her home in Costa Rica, which is also next to a river, making the sound experience of the river both grounding and nostalgic. This experience brought a new perspective not only in the sense of place through bodies of water but also in the creatures and plants that are particular to a place.

Unseen/forgotten: continues these observations focusing on plants of Central New York natural areas that present a post-industrial natural wonder – where many species prevail after the severe deforestation through the end of the 19th century and the start of the 1900s, presenting through visuals, media performance and soundscapes, stories learned during the explorations of natural areas, and visits at the L. H. Bailey Hortorium Herbarium at Cornell University.

Screening begins at dusk.

Prologue: A Mixed Bill Program
Syracuse City Ballet

Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for a compelling lineup of new works curated by Artistic Director Jayson Douglas. The program's centerpiece, "Pulsing," which premiered in February 2024 with the Minnesota Ballet, offers a profound exploration of the different stages of depression, providing the audience with an intimate look inside someone's head. This ballet aims to raise awareness about the importance of mental health and wellness in Americans' lives and to celebrate recovery from mental illness.

The program will also feature a world premiere by Jayson Douglas himself, alongside "Saturn," which premiered in June 2022 with NIJAD Dance Artists. This diverse lineup promises to deliver an impactful and thought-provoking experience for all attendees.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Loren & LJ Barrigar
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Loren Barrigar started playing guitar when he was only four years old, and by the time he was six, played the Chet Atkins hit "Yackety Axe" in front of thousands of country music fans at the Grand Ole Opry in Nashville. He went on to study with Jimmy Atkins (Chet's brother) which led to a touring career with his family band from Nashville to Las Vegas. Since settling down in Central New York, he has been in constant demand as a studio musician.

These days, his talented son LJ joins him on stage, following in the family business.

Stephane Wrembel
Folkus Project

Price: $25 regular, $22 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

The living face of Gypsy jazz ... Award-winning guitarist Stephane Wrembel is one of the most highly regarded guitarists in the world. Specializing in the style of legendary composer/guitarist Django Reinhard, he learned his craft among the Gypsies at campsites in the French countryside. The breadth and range of his playing and compositions are unmatched. This prolific musician, composer, educator, and musical director has released a steady stream of music since 2002, truly making his mark as one of the most original guitar voices in contemporary music.

Deadly Inheritance
Acme Mystery Company

Fireside By the River
2347 W. Genesee Rd., Baldwinsville

The matriarch of a wealthy family is gravely ill and wishing to settle her estate. First, her long lost son must be declared officially dead. That's where the fun begins! Join in as you and the other intensely greedy relatives gather to memorialize "Little Dickie" and battle for position to receive the lion's share of the family's $13 billion fortune. Be careful at this gathering, however, the next memorial could be for you.

The Second City 65th Anniversary Show
Syracuse Stage

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Directed by Marla Cáceres with music direction by Kai Elise, "The Second City 65th Anniversary Show" features songs, sketches and characters written by some of Second City's illustrious alumni — including Tina Fey, Keegan-Michael Key, Stephen Colbert, Bill Murray, Eugene Levy and many more — and is brought hilariously to life by an all-star ensemble including Tina Arfaee, Cat McDonnell, Zoe McKee, Bill Leitz, Preston Parker and Cassidy Russell.

From Cuba to 'Cuse
Community Folk Art Center

Price: $25
Community Folk Art Center
805 E. Genesee St., Syracuse

Jose Miguel Hernandez Hurtado's one-man play From Cuba to 'Cuse is presented in celebration of Latino Heritage Month. This is Jose Miguel's story of his journey from his homeland Cuba to Syracuse. The play will take you through his transition and culture shock in the United States.

Additional donations are welcomed to support La Joven Guardia del Teatro.

Saturday, September 21, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Herstory of Schnellmode
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Herstory of Schnellmode" is a fashion exhibit including a walk-through timeline of Schnellmode as a brand, and a runway show of the brand's latest collection.

The "Herstory" exhibit itself is a showcase to inspire the public to make the art that moves them. The fashion show event's purpose is to highlight the beauty that exists in the diversity of the city we live in; to promote local talent, models, and ensure as many local communities are represented as possible; and to invite the public to see what beauty resides right in our own city, through collaboration of expertise.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Paulina Velázquez Solís: Unseen/forgotten: Ode to the humble landscape
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Unseen/forgotten: Ode to the humble landscape | Invisible/olvidado: Oda al paisaje humilde is a continuation of the project A river of all ages that Paulina Velázquez Solís developed during the pandemic. She found herself in a new environment in Brooktondale NY, surrounded by a creek where the change of pace and isolation brought via COVID accentuated the sound perception of the river, and its presence as a neighbor and living entity.

This sonic connection was similar to her home in Costa Rica, which is also next to a river, making the sound experience of the river both grounding and nostalgic. This experience brought a new perspective not only in the sense of place through bodies of water but also in the creatures and plants that are particular to a place.

Unseen/forgotten: continues these observations focusing on plants of Central New York natural areas that present a post-industrial natural wonder – where many species prevail after the severe deforestation through the end of the 19th century and the start of the 1900s, presenting through visuals, media performance and soundscapes, stories learned during the explorations of natural areas, and visits at the L. H. Bailey Hortorium Herbarium at Cornell University.

Screening begins at dusk.

Prologue: A Mixed Bill Program
Syracuse City Ballet

Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for a compelling lineup of new works curated by Artistic Director Jayson Douglas. The program's centerpiece, "Pulsing," which premiered in February 2024 with the Minnesota Ballet, offers a profound exploration of the different stages of depression, providing the audience with an intimate look inside someone's head. This ballet aims to raise awareness about the importance of mental health and wellness in Americans' lives and to celebrate recovery from mental illness.

The program will also feature a world premiere by Jayson Douglas himself, alongside "Saturn," which premiered in June 2022 with NIJAD Dance Artists. This diverse lineup promises to deliver an impactful and thought-provoking experience for all attendees.

Prologue: A Mixed Bill Program
Syracuse City Ballet

Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for a compelling lineup of new works curated by Artistic Director Jayson Douglas. The program's centerpiece, "Pulsing," which premiered in February 2024 with the Minnesota Ballet, offers a profound exploration of the different stages of depression, providing the audience with an intimate look inside someone's head. This ballet aims to raise awareness about the importance of mental health and wellness in Americans' lives and to celebrate recovery from mental illness.

The program will also feature a world premiere by Jayson Douglas himself, alongside "Saturn," which premiered in June 2022 with NIJAD Dance Artists. This diverse lineup promises to deliver an impactful and thought-provoking experience for all attendees.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Donna Colton & Sam Patterelli
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Gritty, buttery, and soul-piercing have all been used to describe the vocals of Donna Colton. A seasoned veteran of the local music scene, her songwriting and CDs have garnered national and international attention. Solo showcases at the legendary Bitter End and Spiral Club in New York City and at the Bluebird Cafe in Nashville led to live performances for national TV and radio shows. In 2009 she became one of the few women to be inducted into the Syracuse Area Music Awards Hall of Fame.

Colton will be joined on stage by her husband and bandmate, Sam Patterelli, AKA Sam Troublemaker, making music they call an acoustic tangle of Broken Folk and Twang Rock.

Ben Ellis
Skaneateles Library Guitar Series

Price: Free
Skaneateles Library
49 E. Genesee St., Skaneateles

Ben Ellis programs recitals that explore all the unexpected corners of the guitar repertoire. Programing and pairing works from 18th to the 21st century, Ellis finds the surprising threads that connect contrasting works. His programs have included pairing transcriptions of violin music by Ysaye and Bach as well as the standard "When You Wish Upon A Star" arranged by Chet Atkins paired with an homage to Walt Disney by contemporary composer Darragh O'Neil. His performance credits include solo recitals for the Great Lakes Guitar Society, the Skaneateles Library Concert Series, and the Classical Guitar Society of Upstate NY.

Fascinated with reaching out to new audiences, Ellis also curates special programs that pair music with art, wine, dance, and historical events. Ben has presented these custom designed events at venues such as the The Smith Opera House in Geneva, Shelter Studios in NYC, and the historic Barnes Mansion in Syracuse. Most recently, Ellis presented arrangements of rock and roll songs for the classical guitar at The Principle Art Gallery in Charleston, SC. The musical selections highlighted the galleries exhibit of behind the scenes photos of notorious rock musicians.

Ben is currently working on several chamber music projects including the LaLena-Ellis Guitar Duo and the New York Guitar Quartet. The NYGQ will soon be releasing a world premiere recording of a new work by composer John Anthony Lennon. Other projects include a collaboration with composer Chris Chresswell on a new composition with live electronics and looped samples.

Ellis holds a master's degree from Syracuse University and a bachelor's degree from SUNY Fredonia. He currently resides in Syracuse, where he maintains a large teaching studio. An active freelancer, Ben has also performed with the Syracuse Symphony and the Syracuse Opera.

Masterworks Series: Michelle Cann Plays Beethoven
Syracuse Orchestra (formerly Symphoria)
Featuring Michelle Cann, piano

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Stacy Garrop The Lovely Sirens
Beethoven Piano Concerto No. 5, "The Emperor"
Tchaikovsky Symphony No. 4

Masterworks Series: Masterworks and the Movies
Syracuse Orchestra (formerly Symphoria)
Featuring Will Hagen, violin

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

The Syracuse Orchestra and violinist Will Hagen perform music written for films, music written by film composers, and music so great it had to be included in films.

Syracuse Stage Family Day
Syracuse Stage

Price: Free
Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

* Interactive stations that guide attendees through various theatre-related activities, and teach participants about sets, props, costumes, sound, lights and more

* A free performance of the Syracuse Stage Children's Tour show Pandora's Suitcase by Sarah Bierstock at 10:00 a.m.

* An instrument "petting zoo" hosted by the Syracuse Orchestra

* Tours of the Syracuse Stage building led by staff members

Pandora's Suitcase, by Sarah Bierstock, directed by Christine Albright-Tufts
Pandora is Seriously Curious and Seriously Worried about a lot of things. She loves environmental science and asks a lot of questions in her pursuit of learning all she can. When the kids at school call her Teacher's Pet one too many times, she decides to try out life at Dad's house, and enrolls at Smarty Pants Academy. Before she leaves, she just has this one "Exceptionally Important Scientific Experiment" she must complete. It involves a large suitcase she lugs around with her. What could be inside and why does she need to drag it to the river? Pandora's Suitcase is a delightful story that explores how both kids and adults can handle anxiety, learning how to ask others for help, and encourages young people to be confident in the people they are becoming.

The Second City 65th Anniversary Show
Syracuse Stage

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Directed by Marla Cáceres with music direction by Kai Elise, "The Second City 65th Anniversary Show" features songs, sketches and characters written by some of Second City's illustrious alumni — including Tina Fey, Keegan-Michael Key, Stephen Colbert, Bill Murray, Eugene Levy and many more — and is brought hilariously to life by an all-star ensemble including Tina Arfaee, Cat McDonnell, Zoe McKee, Bill Leitz, Preston Parker and Cassidy Russell.

The Second City 65th Anniversary Show
Syracuse Stage

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Directed by Marla Cáceres with music direction by Kai Elise, "The Second City 65th Anniversary Show" features songs, sketches and characters written by some of Second City's illustrious alumni — including Tina Fey, Keegan-Michael Key, Stephen Colbert, Bill Murray, Eugene Levy and many more — and is brought hilariously to life by an all-star ensemble including Tina Arfaee, Cat McDonnell, Zoe McKee, Bill Leitz, Preston Parker and Cassidy Russell.

Sunday, September 22, 2024

Tim Atseff: Final Edition
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Fifty years following his Everson Museum debut, Syracuse-native Tim Atseff returns with a solo exhibition dedicated to a topic he knows intimately — the news media. Atseff spent nearly five decades working in the newspaper business in various professional roles and is perhaps best-known for penning editorial cartoons that satirically skewered political and public figures in print. Atseff's artistic practice is similarly grounded in current events, but as a platform for expressing his personal views about existential crises facing the world today, it is writ large and in full color in paintings, assemblages, and installations. For the Everson, Atseff presents a selection of recent works about the continued shuttering of American newspapers — and what it means for the future of journalistic integrity, an informed public, and national political debate.

Timed to coincide with the 2024 US Presidential elections, "Tim Atseff: Final Edition" features more than 15 works from the last decade, along with a selection of editorial cartoons penned during Atseff's newspaper career.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Herstory of Schnellmode
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Herstory of Schnellmode" is a fashion exhibit including a walk-through timeline of Schnellmode as a brand, and a runway show of the brand's latest collection.

The "Herstory" exhibit itself is a showcase to inspire the public to make the art that moves them. The fashion show event's purpose is to highlight the beauty that exists in the diversity of the city we live in; to promote local talent, models, and ensure as many local communities are represented as possible; and to invite the public to see what beauty resides right in our own city, through collaboration of expertise.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Prologue: A Mixed Bill Program
Syracuse City Ballet

Community Folk Art Center
805 E. Genesee St., Syracuse

Join us for a compelling lineup of new works curated by Artistic Director Jayson Douglas. The program's centerpiece, "Pulsing," which premiered in February 2024 with the Minnesota Ballet, offers a profound exploration of the different stages of depression, providing the audience with an intimate look inside someone's head. This ballet aims to raise awareness about the importance of mental health and wellness in Americans' lives and to celebrate recovery from mental illness.

The program will also feature a world premiere by Jayson Douglas himself, alongside "Saturn," which premiered in June 2022 with NIJAD Dance Artists. This diverse lineup promises to deliver an impactful and thought-provoking experience for all attendees.

Westcott Street Cultural Fair

Price: Free
Westcott Business District
Westcott St., Syraucuse

The Westcott Street Cultural Fair is an annual celebration of the diversity and uniqueness of the Westcott neighborhood through its culture, arts, food, organizations, and activities for families and students.

For more information, visit westcottstreetfair.org

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Nachos & Blancos
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Join us for our once-a-month rockin' rhythm and roots par-tay at The 443!

It's the best hang in town and we can't think of a better way to spend Sunday afternoon than grooving to the tasty tunes of the mighty Los Blancos.

Malmgren Concert Series: The Duke Ellington Orchestra
Hendricks Chapel

Price: Free
Hendricks Chapel
Syracuse University, Syracuse

Performing worldwide for more than 101 years under the guidance of three generations of Ellington's family, this Grammy Award-winning supergroup has produced more iconic jazz classics than any other band.

Today, The Duke Ellington Orchestra comprises brilliant musicians who dedicate themselves to performing Duke's music while adding—just as their predecessors did–their own creative styles. Together they share a history and lineage that goes back to Duke's original band members.

The Second City 65th Anniversary Show
Syracuse Stage

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Directed by Marla Cáceres with music direction by Kai Elise, "The Second City 65th Anniversary Show" features songs, sketches and characters written by some of Second City's illustrious alumni — including Tina Fey, Keegan-Michael Key, Stephen Colbert, Bill Murray, Eugene Levy and many more — and is brought hilariously to life by an all-star ensemble including Tina Arfaee, Cat McDonnell, Zoe McKee, Bill Leitz, Preston Parker and Cassidy Russell.

Monday, September 23, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Mystery Double Feature
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Voice of the Whistler (1945)
Cast: Richard Dix, Lynn Merrick, Rhys Williams, James Cardwell, Donald Wood
Director: William Castle
A money-hungry nurse (Merrick) dumps her boyfriend to marry one of her patients: a millionaire in poor health (Dix), but she ends up getting more trouble than she bargained for. An atmospheric entry in Columbia's popular "Whistler" anthology series based on the famous CBS radio program.

The Pearl of Death (1944)
Cast: Basil Rathbone, Nigel Bruce, Evelyn Ankers, Rondo Hatton, Dennis Hoey
Director: Roy William Neill
This suspenseful "Sherlock Holmes" mystery finds Holmes and Watson searching for six busts of Napoleon, one of which contains the Borgia pearl. Rondo Hatton makes his first appearance as the hulking and murderous "Creeper". A favorite entry in Universal's Holmes series.