Wednesday, September 11, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Sean Rowe
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Sean Rowe is an American singer-songwriter, musician, recording artist, and forager. Rowe has a powerful sound with an emotional conviction that demands attention. NPR's All Songs Considered says of Rowe's vocals, "He can just crush granite with that voice. It's so powerful." The Wall Street Journal proclaimed, "Mr. Rowe's ringing baritone is as timeless as his approach, recalling the ecstatic intensity of late-'60s Van Morrison and stark subtlety of late-era Johnny Cash." Rowe has graced the stage of Mountain Jam, Wilco's Solid Sound Festival as well as opening for Robert Plant and the Alabama Shakes. Both an appearance on "Jimmy Kimmel Live" and having his song, "To Leave Something Behind" featured in the film, "The Accountant", have expanded his voice to an international audience.

Christopher Kennedy
Raymond Carver Reading Series

Price: Free
Watson Theater, Menschel Media Center
316 Waverly Ave. (Syracuse University), Syracuse

Reading will be preceded by a question and answer session beginning at 4:00 pm.

Thursday, September 12, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Paulina Velázquez Solís: Unseen/forgotten: Ode to the humble landscape
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Unseen/forgotten: Ode to the humble landscape | Invisible/olvidado: Oda al paisaje humilde is a continuation of the project A river of all ages that Paulina Velázquez Solís developed during the pandemic. She found herself in a new environment in Brooktondale NY, surrounded by a creek where the change of pace and isolation brought via COVID accentuated the sound perception of the river, and its presence as a neighbor and living entity.

This sonic connection was similar to her home in Costa Rica, which is also next to a river, making the sound experience of the river both grounding and nostalgic. This experience brought a new perspective not only in the sense of place through bodies of water but also in the creatures and plants that are particular to a place.

Unseen/forgotten: continues these observations focusing on plants of Central New York natural areas that present a post-industrial natural wonder – where many species prevail after the severe deforestation through the end of the 19th century and the start of the 1900s, presenting through visuals, media performance and soundscapes, stories learned during the explorations of natural areas, and visits at the L. H. Bailey Hortorium Herbarium at Cornell University.

Screening begins at dusk.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Westcott Thursdays: Brownskin Band, with Saint Luke

Price: Free
Westcott Business District
Westcott St., Syraucuse

The Chris O'Leary Band
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Devastatingly soulful vocalist, dynamic harmonica master, and superlative songwriter Chris O'Leary is among the blues and roots world's most talented unsung heroes. The award-winning O'Leary — disciple and friend of both The Band's legendary drummer/vocalist/songwriter Levon Helm and iconic blues harmonica giant James Cotton — has been playing professionally since the 1990s, with five previous solo albums to his credit. The Marine veteran, ex-Federal police officer, former lead singer of The Barn Burners (featuring Levon Helm on drums), and loving father has walked a hard line from his upstate New York home to stages all over the world. No Depression magazine says, "O'Leary's voice contains startling emotion...reaching an intensity and emotional rawness [that's] primal. The performances practically vibrate with an authenticity that stays with you."

String Quartet Theatre
Breadcrumbs Productions

Everson Museum of Art
401 Harrison St., Syracuse

Immersive theatre meets world-class music in this genre-expanding performance.

String Quartet Theatre is an experiential performance developed at the intersection of intimate music making and immersive theater. The production offers extraordinary string quartet and solo music while inviting audience members to listen, move through spaces, and if desired, discover interactions that engage the heart, mind, and body beyond the ears.

Friday, September 13, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Herstory of Schnellmode
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Herstory of Schnellmode" is a fashion exhibit including a walk-through timeline of Schnellmode as a brand, and a runway show of the brand's latest collection.

The "Herstory" exhibit itself is a showcase to inspire the public to make the art that moves them. The fashion show event's purpose is to highlight the beauty that exists in the diversity of the city we live in; to promote local talent, models, and ensure as many local communities are represented as possible; and to invite the public to see what beauty resides right in our own city, through collaboration of expertise.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Paulina Velázquez Solís: Unseen/forgotten: Ode to the humble landscape
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Unseen/forgotten: Ode to the humble landscape | Invisible/olvidado: Oda al paisaje humilde is a continuation of the project A river of all ages that Paulina Velázquez Solís developed during the pandemic. She found herself in a new environment in Brooktondale NY, surrounded by a creek where the change of pace and isolation brought via COVID accentuated the sound perception of the river, and its presence as a neighbor and living entity.

This sonic connection was similar to her home in Costa Rica, which is also next to a river, making the sound experience of the river both grounding and nostalgic. This experience brought a new perspective not only in the sense of place through bodies of water but also in the creatures and plants that are particular to a place.

Unseen/forgotten: continues these observations focusing on plants of Central New York natural areas that present a post-industrial natural wonder – where many species prevail after the severe deforestation through the end of the 19th century and the start of the 1900s, presenting through visuals, media performance and soundscapes, stories learned during the explorations of natural areas, and visits at the L. H. Bailey Hortorium Herbarium at Cornell University.

Screening begins at dusk.

Bored Teachers Comedy Tour
The Oncenter

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Bored Teachers are BACK with all new material on their "The Struggle is Real!" Comedy Tour. For years, Bored Teachers Studios has brought a sense of humor to teachers around the world to ease their daily struggle in the classroom. They've amassed over a billion views on their viral videos on social media, over 10 million followers, and the #1 ranked teacher-comedy podcast—#6 of all Stand Up Comedy shows on Apple Podcasts.

Since 2022, Bored Teachers has been selling out comedy clubs and major theatres across 49 states, bringing laughter to over 150,000 teachers throughout the school year and has become the main event to attend in all of teacher world. Even non-teacher fans have reviewed it as one of the funniest stand up shows they've ever seen! The Bored Teachers Show is a comedy powerhouse that anyone who's ever been in a classroom can relate to.

Festa Italiana

Price: Free
Clinton Square
Downtown, Syracuse

MAIN STAGE
5:00 pm: Soul Mine Band
7:00 pm: Mere Mortals
9:00 pm: Prime Time Horns

SMALL STAGE
12:00 pm: Just Joe
2:00 pm: Italian Music
4:30 pm: The Strangers
6:30 pm: Brass Inc.
8:30 pm: Ridgerunners

6:00-8:00 pm (strolling): Paulo & Felice

A celebration of Italian food, music, and culture.

For more information, visit festaitalianasyracuse.org.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

2024 Rockin' the Redhouse
Redhouse

Price: $25
Redhouse at City Center
400 S. Salina St., Syracuse

Rockin' the Redhouse is a battle of corporate bands. Fellow employees and friends have a great time cheering on their bands – audience participation is part of the judging criteria! This event gives "garage bands" a chance to play on the big stage right here at Redhouse's venue at City Center.

Each year, this special, rockin' fundraiser supports Redhouse programming and education scholarships.

Support your band as the most rockin' band of the night!

Killer Queen Tribute to Queen, with Voyage
Lakeview Empower FCU Amphitheater

Lakeview Amphitheater
490 Restoration Way, Syracuse

Evelyn
Covey Theatre Company

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

It's 1927. Join Gibson Girl and actress Evelyn Nesbit in her New York City speakeasy "Chez Evelyn" for a look back at her extraordinary life. In her cabaret act, Evelyn recalls the Crime of the Century: when her husband, erratic millionaire Harry K. Thaw, shot Evelyn's former abuser-turned-lover Stanford White in the rooftop theater of Madison Square Garden in 1906. Evelyn's subsequent years of court trials, emotional turmoil, and ultimate survival are revealed with theatrical panache, sensitivity, and grit. Featuring music of the era, this new work by Garrett August Heater and Bridget Moriarty features full staging, choreography, lighting, and musical performances.

Audience feedback will be requested at each show, allowing patrons to shape the development of this piece.

WARNING: In recreating certain historical events, Evelyn depicts acts of violence against women that may not be suitable for all patrons.

Saturday, September 14, 2024

Coming Back Together Art Exhibit and Panel Discussion
Community Folk Art Center

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Join the Community Folk Art Center for an open house, alumni art exhibit, and panel discussion about the 30th anniversary of the first SU study abroad program in Africa (Zimbabwe).

The CBT Alumni Art Exhibition features the works of London Ladd, JoAnn Onofre, Chelsea Reeves, and Cedric T. Bolton.

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Herstory of Schnellmode
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Herstory of Schnellmode" is a fashion exhibit including a walk-through timeline of Schnellmode as a brand, and a runway show of the brand's latest collection.

The "Herstory" exhibit itself is a showcase to inspire the public to make the art that moves them. The fashion show event's purpose is to highlight the beauty that exists in the diversity of the city we live in; to promote local talent, models, and ensure as many local communities are represented as possible; and to invite the public to see what beauty resides right in our own city, through collaboration of expertise.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Paulina Velázquez Solís: Unseen/forgotten: Ode to the humble landscape
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Unseen/forgotten: Ode to the humble landscape | Invisible/olvidado: Oda al paisaje humilde is a continuation of the project A river of all ages that Paulina Velázquez Solís developed during the pandemic. She found herself in a new environment in Brooktondale NY, surrounded by a creek where the change of pace and isolation brought via COVID accentuated the sound perception of the river, and its presence as a neighbor and living entity.

This sonic connection was similar to her home in Costa Rica, which is also next to a river, making the sound experience of the river both grounding and nostalgic. This experience brought a new perspective not only in the sense of place through bodies of water but also in the creatures and plants that are particular to a place.

Unseen/forgotten: continues these observations focusing on plants of Central New York natural areas that present a post-industrial natural wonder – where many species prevail after the severe deforestation through the end of the 19th century and the start of the 1900s, presenting through visuals, media performance and soundscapes, stories learned during the explorations of natural areas, and visits at the L. H. Bailey Hortorium Herbarium at Cornell University.

Screening begins at dusk.

Festa Italiana

Price: Free
Clinton Square
Downtown, Syracuse

MAIN STAGE
1:30 pm: Italian Music
3:00 pm: Rev Band
5:00 pm: Ruby Shooz
7:00 pm: Infinity
9:00 pm: Menage A Soul

SMALL STAGE
11:00 am: Just Joe
1:00 pm: Howie Bartolo
2:30 pm: Time Trax Band
4:30 pm: Tennyson Ave Unplugged
6:30 pm: Bad Husband Club
8:30 pm: Custom Taylor Band

12:00-6:00 pm (strolling): Mike the Mime
3:00-5:00 pm (strolling): Paulo & Felice

A celebration of Italian food, music, and culture.

For more information, visit festaitalianasyracuse.org.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Oktoberfest
Syracuse Orchestra (formerly Symphoria)

Underground Lounge (under the carousel, across from Burlington)
Destiny USA, Syracuse

Enjoy an Autumn festival complete with Bavarian music and refreshments to embrace the season! A cash bar will be available before and during the performance.

Cassie & Maggie
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Nova Scotian sisters Cassie and Maggie have been lighting up the world with their unique blend of traditional and contemporary Celtic instrumentals and vocals. Appearing on stages across North America, the UK, and Europe the sisters have enchanted audiences far and wide with lively fiddle, piano and guitar arrangements, and stunning sibling vocal harmonies in both English and Gaelic, all complemented by their intricate and percussive step-dancing style.

Post Malone: F-1 Trillion Tour
Lakeview Empower FCU Amphitheater

Lakeview Amphitheater
490 Restoration Way, Syracuse

The Front Bottoms: Finding Your Way Home Tour, with special guest Alex Lahey
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Evelyn
Covey Theatre Company

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

It's 1927. Join Gibson Girl and actress Evelyn Nesbit in her New York City speakeasy "Chez Evelyn" for a look back at her extraordinary life. In her cabaret act, Evelyn recalls the Crime of the Century: when her husband, erratic millionaire Harry K. Thaw, shot Evelyn's former abuser-turned-lover Stanford White in the rooftop theater of Madison Square Garden in 1906. Evelyn's subsequent years of court trials, emotional turmoil, and ultimate survival are revealed with theatrical panache, sensitivity, and grit. Featuring music of the era, this new work by Garrett August Heater and Bridget Moriarty features full staging, choreography, lighting, and musical performances.

Audience feedback will be requested at each show, allowing patrons to shape the development of this piece.

WARNING: In recreating certain historical events, Evelyn depicts acts of violence against women that may not be suitable for all patrons.

Sunday, September 15, 2024

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Herstory of Schnellmode
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Herstory of Schnellmode" is a fashion exhibit including a walk-through timeline of Schnellmode as a brand, and a runway show of the brand's latest collection.

The "Herstory" exhibit itself is a showcase to inspire the public to make the art that moves them. The fashion show event's purpose is to highlight the beauty that exists in the diversity of the city we live in; to promote local talent, models, and ensure as many local communities are represented as possible; and to invite the public to see what beauty resides right in our own city, through collaboration of expertise.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

KlezFest CNY

Price: Free
Jewish Community Center
5655 Thompson Rd., Dewitt

An afternoon of Jewish and klezmer music, arts and crafts, singing, dancing, kosher food.

12:15-12:45 pm: Hughie Stone Fish
12:45-1:45 pm: Keyna Hora Band
1:45 pm: Hora and Israeli dancing
2:15-2:45 pm: Sounds of Unity
3:00-4:00: The Klezmers

For more information, visit syracusejewishfestival.org

Festa Italiana

Price: Free
Clinton Square
Downtown, Syracuse

MAIN STAGE
1:00 pm: Italian Music
2:00 pm: Urban Knight Punks (UKP)
5:00 pm: Horn Dogs

SMALL STAGE
12:00 pm: Mark Marci
1:30 pm: Freeway Band
3:00 pm: Dunes & the Del Tunes
5:00 pm: Stroke

12:00-5:00 pm (strolling): Mike the Mime
2:00-4:00 pm (strolling): Paulo & Felice

A celebration of Italian food, music, and culture.

For more information, visit festaitalianasyracuse.org.

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Shakedown Sunday
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Shakedown Sunday is a monthly series hosted by Jeffrey Pepper Rodgers and members of Dead to the Core, with special guests, that celebrates the Grateful Dead — not just the band's originals but songs from across the roots and rock worlds they made their own.

The September Shakedown features Jeffrey Pepper Rodgers, Wendy Sassafras Ramsay, and Tim Burns, and John Dancks of Dead to the Core, with special guest Liz Fiddle Simchik.

Oktoberfest
Syracuse Orchestra (formerly Symphoria)

Underground Lounge (under the carousel, across from Burlington)
Destiny USA, Syracuse

Enjoy an Autumn festival complete with Bavarian music and refreshments to embrace the season! A cash bar will be available before and during the performance.

Evelyn
Covey Theatre Company

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

It's 1927. Join Gibson Girl and actress Evelyn Nesbit in her New York City speakeasy "Chez Evelyn" for a look back at her extraordinary life. In her cabaret act, Evelyn recalls the Crime of the Century: when her husband, erratic millionaire Harry K. Thaw, shot Evelyn's former abuser-turned-lover Stanford White in the rooftop theater of Madison Square Garden in 1906. Evelyn's subsequent years of court trials, emotional turmoil, and ultimate survival are revealed with theatrical panache, sensitivity, and grit. Featuring music of the era, this new work by Garrett August Heater and Bridget Moriarty features full staging, choreography, lighting, and musical performances.

Audience feedback will be requested at each show, allowing patrons to shape the development of this piece.

WARNING: In recreating certain historical events, Evelyn depicts acts of violence against women that may not be suitable for all patrons.

Monday, September 16, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Blood on the Moon (1948)
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Cast: Robert Mitchum, Robert Preston, Walter Brennan, Barbara Bel Geddes, Frank Faylen, Phyllis Thaxter, Charles McGraw
Director: Robert Wise

A tough no-nonsense Western based on a novel by Luke Short. A drifter (Mitchum) is hired by a slick con man (Preston) to help cheat some unsuspecting landowners ... but Mitchum decides he doesn't like the scheme and realizes it needs to be stopped. A great story, interesting characters and plenty of action combine to make this a terrific Western drama.

Tuesday, September 17, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Justin Torres
Friends of the Central Library Author Series

Crouse Hinds Concert Theater, Mulroy Civic Center
411 Montgomery St., Syracuse

Justin Torres is an American novelist and an Associate Professor of English at UCLA. He is the author of Blackouts, which won the 2023 National Book Award in Fiction. He is also the author of We the Animals which has been translated into 15 languages and was adapted into a feature film. The story is loosely based on his childhood upbringing in Baldwinsville, NY, the youngest of three brothers. His short fiction and essays have been featured in The New Yorker, Harper's, The Washington Post, LA Times Image Magazine, and Best American Essays.

Wednesday, September 18, 2024

Captured Moments: Photographs of Life in the Wild, by Sandra Roe
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The fall art exhibit gives us the opportunity to linger with wild animals and appreciate them all the more. With her zoom lenses and watchful eye, along with a great deal of time spent in nature, Sandra Roe is able to capture unique images and bring us up close to animals that we often miss or may never have seen.

Confabulations: Art as Storytelling
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Dan Shanahan: watercolor paintings filled with interesting characters and perspectives, creating worlds of stories

Dan Bacich: box assemblages made with groupings of found objects carefully arranged in compositions that give rise to narratives where initially none was apparent

Deborah Rogers: mixed media jewelry

Read a review!

Nicholas Muellner: Asea
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Nicholas Muellner's "Asea" offers up photographs depicting people pantomiming in a verdant landscape made complex with surreal lighting; these images are paired with an issue of Contact Sheet that serves as a guidebook to the exhibition. The text in Contact Sheet is wryly poetic and succinct, and loosely leads us from picture to picture. "Asea" takes us somewhere without making its destination specific, setting a tone and mood that guides our desire for meaning but refuses to precisely locate it.

With "Asea," Muellner projects a state of limbo and a search for personal meaning within photography's inevitable narrative limits. We are asked to ponder alone, in a subjective state that is not fixed but which hovers within the parameters established by the photographs and text. Ultimately, we engage with "Asea" because it is at once thoughtful, beautiful, and curious.

Shadow/Figure: Selections from the Light Work Collection
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

The images reflect an atmosphere that is visceral, symbolic, and surreal, with formal and metaphorical connections and meanings, on the surface and beyond. The works on exhibit were donated by recent artists-in-residence David Alekhougie, Liz Johnson Artur, Wills Brewer, Gary Burnley, Mercedes Dorame, Sayuri Ichida, Yi Hsuan Lai, Mollie McKinley, Christie Neptune, Ahndraya Parlato, and Bianca and Riel Sturchio.

Mithila Women Paint Gender-Based Violence in the 21st Century
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

For centuries, Mithila painters who work in Northeastern India have made paintings of gods and auspicious symbols on the walls and floors of their homes. This exhibition investigates a recent development within this long tradition of Indian folk art, where, beginning in the mid-2000s, artists began making paintings drawn from their own lived experiences. These women painters depicted the violence enacted against them, including dowry deaths, female feticide, and male kin's control generally. In doing so, this exhibition will draw attention to the patriarchal structures of this rural Indian community and broader structures of gender-based violence worldwide.

Fruits of Their Labor: Work and Leisure at the Syracuse University Art Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

"Fruits of Their Labor" seeks to reexamine depictions of labor and leisure in the Syracuse University Art Museum's permanent collection. The COVID-19 pandemic exposed systemic problems in the workplace, mirroring the societal shifts in the labor industry during the Great Depression. Through thematic groupings such as those that depict women's work in and out of the home or behind the scenes views into the entertainment industry, this exhibition challenges conventional depictions of labor.

Homeward to the Prairie I Come: Gordon Parks Photographs
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

A new exhibition of the work of renowned photographer, writer, poet, musician, and composer Gordon Parks features more than 75 of Parks' images, examining his wide-ranging artistic ideas. The exhibition not only includes Parks' documentary photography such as the series Paris Fashions, Fort Scott Revisited, The Redemption of the Champion (featuring images of Muhammed Ali), but also his thoughts on photography as a fine art medium and his engagement with celebrated paintings and sculptures. Most significantly, the photographs instigate cultural change by challenging viewers to imagine a more inclusive culture than the one they know: a world where Black skin represents ideal beauty, where an African American athlete embodies the exemplary hero, and where an artist of African heritage has a place within the lineage of excellent artists in Western art history.

Sascha Brastoff: California King
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

There are many wild and colorful characters in the history of American ceramics, but most pale in comparison to Sascha Brastoff. We most remember Brastoff as a prolific designer of midcentury dinnerware, but he also served in the US Army during World War II, where he created props and costumes for Special Services events to entertain troops. Brastoff also performed as his drag alter-ego, G.I. Carmen Miranda, and was cast in a Broadway production, Winged Victory (later adapted into the 1944 movie of the same name).

When the war ended, Brastoff moved to Los Angeles to design costumes for film stars, including the real Carmen Miranda. Brastoff then built a dinnerware empire (bankrolled by a Rockefeller) after taking a top prize in the Syracuse Museum of Fine Art's 1948 Ceramic National exhibition. Throughout his career, Brastoff rubbed elbows with celebrities and was at the heart of L.A.'s Queer underground. Besides his work in ceramics, Brastoff also mastered jewelry, metalwork, enamels, and created erotic works for many private clients.

Cali M. Banks: I’ve Learned to Hold Myself Softly
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Cali M. Banks, whose ancestors are both Munsee Lenape and Scottish, recently returned to Syracuse, where she was born and raised. As an artist, Banks has long embraced photography as her medium of choice. Rather than embracing photography's objective or journalistic qualities, Banks seeks to personalize her work through a combination of alchemical processes and labor-intensive embellishment. The result is a body of work that balances nostalgia, loss, identity, longing, and a sense of community.

"I've Learned to Hold Myself Softly" utilizes self-portraiture, still-lifes, and architecture to examine Banks' return to Syracuse. Many of the places that she had found solace in as a youth have now been demolished, abandoned, or gentrified. "I've Learned to Hold Myself Softly" funnels the emotions associated with loss and change into works that reflect the conflicting realities and collateral damage that stem from the rapid changes Syracuse has undergone during the past decade.

Putting Art to Work: Prints of the Works Progress Administration
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

The Great Depression reached its peak in 1933 when the unemployment rate in the United States plummeted to 20%. The Public Works of Art Project, a relief measure to employ artists, was one of many New Deal initiatives that President Franklin Delano Roosevelt signed into law during his first year in office. In 1935, the program was replaced by the Federal Art Project, which was administered by the Works Progress Administration. Together, the two programs employed more than 10,000 artists and generated an estimated 400,000 paintings, murals, prints, and posters. The Everson Museum of Art (then the Syracuse Museum of Fine Arts) played an important role as Museum Director Anna Wetherill Olmsted oversaw the Central New York region of the Federal Art Project.

Putting Art to Work features more than 60 prints made under the auspices of the Public Works of Art Project and the Federal Art Project between 1934 and 1942. Most of the prints in the Everson's collection were donated to the Museum by the Public Works of Art Project of New York City, but Putting Art to Work includes key loans from the Syracuse University Art Museum, the Tyler Art Gallery at SUNY Oswego, the Picker Art Gallery at Colgate University, and the Onondaga Historical Association that show the program's economic and cultural impact on our region's public institutions and artists.

Unique
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Coordinated by ARISE, a non-profit agency based in Syracuse, UNIQUE celebrates the artistic talents of Central New Yorkers living with disabilities. The works included in this exhibition eloquently speak to the myriad thoughts, ideas, and feelings that all humans share, regardless of individual ability or circumstance. The annual competition invites submissions of art and literature which are then selected for display by a panel of judges for exhibit at the Everson Museum.

Clayscapes
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Clayscapes is a tribute to clay's ubiquitous presence in our lives, and to the powerful metaphorical and spiritual role that it can play. The Everson's famous collection of ceramics is filled with works that explore the landscape—from artist Robert Arneson's monumental celebration of California's mountainous landscape to Uruguayan-born Lidya Buzio's earthy vessels adorned with the skyline of her adopted home in New York City. The collection contains many commercially produced souvenir plates and pitchers meant to commemorate and memorialize specific places. These wares are a distinctive part of the Museum's collection, and they provide inspiration for contemporary artists such as Paul Scott, who makes commemorative plates that reflect the ways that humans have altered the landscape and exploited its resources.

As artists continue to shape clay, Clayscapes recognizes the ways in which clay shapes us. The Everson's ceramic collection is filled with work that documents the joys and sorrows of humankind's relationship with the Earth. This exhibition pays tribute to the powerful connection between artists and the world around them.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Sum Of Its Parts
art haus SYR

120 Walton St.
Syracuse

A group exhibition featuring all local art by Penny Santy, Barry Grose, David Edward Johnson, Vykky Ebner, and Mary Stanley.

Another World Is Possible: Posters by Ricardo Levins Morales
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

Ricardo Levins Morales is an artist and organizer based in Minneapolis. He uses his art as a form of political medicine to support individual and collective healing from the injuries and ongoing reality of oppression.

He was born into the anti-colonial movement in his native Puerto Rico and was drawn into activism in Chicago when his family moved there in 1967. This activism has included support work for the Black Panthers and Young Lords and participating in or acting in solidarity with farmers, environmental, labor, racial justice, antiwar and other struggles for peoples empowerment. He was a founding member of the Northland Poster Collective Mi Montana.(1979-2009).

He also leads workshops on creative organizing, social justice strategy and sustainable activism, and mentors and supports organizers. The worker members of RLM Art Studio are represented by the Newspaper and Communications guild/CWA.

Ricardo's work is widely used by grassroots movements, organizations and communities. This exhibition will examine the breadth and depth of Ricardo's art over the past 55 years!

Suit Up! Syracuse Sporting Uniforms Through the Years
Onondaga Historical Association

Price: Free
Onondaga Historical Association
321 Montgomery St., Syracuse

"Suit Up! A Look At Syracuse Sporting Uniforms Through The Years" highlights the wide array of sporting uniforms donned by athletes in Onondaga County at every level of competition going back more than 120 years.

Utilizing OHA's extensive collection of uniforms, programs, and photographs, and the generosity of the Syracuse Mets and Syracuse Crunch, in addition to the several local collectors, this exhibition offers something for every sports fan. Highlights include signed memorabilia from Ernie Davis, Syracuse Orange Football star and the first African American to win the Heisman Trophy in 1961, as well as game-worn jerseys from Crunch, Mets, and Syracuse Orange Basketball players, to name just a few of the incredible items on display in this exhibit.

Walking and Talking Wednesday: Historical Lunchtime Tour of Downtown Syracuse
Onondaga Historical Association

Price: $15 OHA members, $20 non-members
Onondaga Historical Association
321 Montgomery St., Syracuse

Spend your midweek lunch hour with Curator of History Robert Searing, listening to some local history as you get in a midday walk around town.

The tour leaves from OHA's downtown museum at 321 Montgomery Street at 12:00 and ends in Clinton Square. The tour will last approximately 45-60 minutes and covers a wide array of topics, including abolition, architecture, general historical happenings, and some of the city's lost historical treasures.

The Second City 65th Anniversary Show
Syracuse Stage

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Directed by Marla Cáceres with music direction by Kai Elise, "The Second City 65th Anniversary Show" features songs, sketches and characters written by some of Second City's illustrious alumni — including Tina Fey, Keegan-Michael Key, Stephen Colbert, Bill Murray, Eugene Levy and many more — and is brought hilariously to life by an all-star ensemble including Tina Arfaee, Cat McDonnell, Zoe McKee, Bill Leitz, Preston Parker and Cassidy Russell.