Wednesday, January 10, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

Thursday, January 11, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

Friday, January 12, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Expressive Inclusion
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Expressive Inclusion" features artists from ARC Herkimer and ARISE. "Expressive Inclusion" draws select work from ARISE's "Unique" exhibit formerly displayed at the Everson and ARC Herkimer's "Art without Boundaries" which traveled around the region.

ARISE for 23 years has published UNIQUE Art and Literary Magazine to showcase the powerful work of people who identify as having a disability. Each artist or writer not only contributes their piece to the magazine but also writes a few sentences about how their experience with disability influences their work. A panel of community judges selects the items to be published each summer.

ARC Herkimer's "Art Without Boundaries" allows audiences to view artwork by individuals with disabilities as well as work created by ARC Herkimer staff.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

There will be an opening reception this evening 6:00-8:00 pm.

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

*SOLD OUT* Socks in the Frying Pan
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Saturday, January 13, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Expressive Inclusion
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Expressive Inclusion" features artists from ARC Herkimer and ARISE. "Expressive Inclusion" draws select work from ARISE's "Unique" exhibit formerly displayed at the Everson and ARC Herkimer's "Art without Boundaries" which traveled around the region.

ARISE for 23 years has published UNIQUE Art and Literary Magazine to showcase the powerful work of people who identify as having a disability. Each artist or writer not only contributes their piece to the magazine but also writes a few sentences about how their experience with disability influences their work. A panel of community judges selects the items to be published each summer.

ARC Herkimer's "Art Without Boundaries" allows audiences to view artwork by individuals with disabilities as well as work created by ARC Herkimer staff.

William Mazza: Forest for Trees
ArtRage Gallery

Price: Free
ArtRage Gallery
505 Hawley Ave., Syracuse

William Mazza, a collective member of Syracuse's Altered Space gallery (1991-1996) and currently an artist based in New York City, uses chance, duration, and accumulation to interpret landscape as the relationship of people to mediated environments. The most material expressions of his wide-ranging projects are drawings, paintings, animations, and video created by translating subjects such as lived environments, spatial relocations, television programs, or text into constructions of landscape.

While Mazza responds to his surroundings in many exploratory ways, in this, his Literary Landscape series exhibited with us, he mines the words from texts written by such authors as Angela Davis, Cecilia Vicuna, Anne Waldman, and Susan Sontag. He then separates them into the letters that fill one written page ... and one painting.

Candlelight Concert: Vivaldi's Four Seasons and more
Listeso String Quartet

Palace Theater
2384 James St., Syracuse

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Syracuse. Get your tickets now to discover the music of Vivaldi's Four Seasons & More under the gentle glow of candlelight.

*SOLD OUT* The Shylocks
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Butternut Creek Revival
Steeple Coffee House

Price: $15 suggested donation covers entertainment, dessert, coffee/tea
United Church of Fayetteville
310 E. Genesee St., Fayetteville

Midwinter Concert: A Quartet of Trios
Syracuse Friends of Chamber Music

H. W. Smith School Auditorium
1130 Salt Springs Rd., Syracuse

Max Bruch Eight Pieces for Clarinet, Viola, and Piano (selections)
Jean Françaix String Trio in C Major, op. 2
Schubert String Trio in B-flat Major, D. 471
Brahms Trio for Clarinet, Cello, and Piano, op. 114

Candlelight Concert: Vivaldi's Four Seasons and more
Listeso String Quartet

Palace Theater
2384 James St., Syracuse

Candlelight concerts bring the magic of a live, multi-sensory musical experience to awe-inspiring locations like never seen before in Syracuse. Get your tickets now to discover the music of Vivaldi's Four Seasons & More under the gentle glow of candlelight.

Sunday, January 14, 2024

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Expressive Inclusion
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

"Expressive Inclusion" features artists from ARC Herkimer and ARISE. "Expressive Inclusion" draws select work from ARISE's "Unique" exhibit formerly displayed at the Everson and ARC Herkimer's "Art without Boundaries" which traveled around the region.

ARISE for 23 years has published UNIQUE Art and Literary Magazine to showcase the powerful work of people who identify as having a disability. Each artist or writer not only contributes their piece to the magazine but also writes a few sentences about how their experience with disability influences their work. A panel of community judges selects the items to be published each summer.

ARC Herkimer's "Art Without Boundaries" allows audiences to view artwork by individuals with disabilities as well as work created by ARC Herkimer staff.

Casual Series: Waltz Along the Blue Danube
Syracuse Orchestra (formerly Symphoria)
Mélisse Brunet, conductor

St. Paul's Syracuse
220 E. Fayette St., Syracuse

Celebrating music that inspired movement through polka, marches, and the waltz, Symphoria performs the works of Offenbach, Strauss, and Korngold. Familiar tunes including the Can-Can from Orpheus in the Underworld and Blue Danube will fill the hall for this afternoon concert at the lovely St. Paul's Church! This 75-minute concert will presented without intermission.

Offenbach Orpheus in the Underworld Overture
Strauss Jr. Voices of Spring Waltz
KORNGOLD Straussiana
Strauss Jr. Excursion Train Polka
J. Strauss Dragonfly Polka-Mazurka
J. Strauss Little Chatterbox Polka
J. Strauss Pizzicato Polka
Strauss Jr. Thunder and Lightning Polka
Strauss Jr. Blue Danube Waltz

Monday, January 15, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Tuesday, January 16, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Jazz at Timber Banks: Stringdom
CNY Jazz Arts Foundation

Price: No cover
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

Wednesday, January 17, 2024

The Beauty of Birds: Photos by Meg Schader
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

The exhibit comprises 25 photographs of birds of Central New York in their natural habitats.

Two Views
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Wayne Daniels: Oil paintings of CNY landscapes
Tad Retz: Oil paintings of CNY landscapes and Maine seascapes
John Volcko: Hand-turned wooden vessels
Karen Convertino: Enamel jewelry

Read a review!

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.