Friday, November 3, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

Visual Music: Bolero de Cochereau
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carpenter: visual interpretations of the rich and nuanced sound of Pierre Cochereau's organ improvisation of Bolero, presented as digital imagery on canvas
Michael Hughes: textural wheel thrown stoneware and porcelain
Lily Tsay: glass bead and homemade porcelain bead jewelry with select materials

A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

The traveling exhibition "A Love Supreme" re-imagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC's manuscript and archival collections as well as the rare book and printed materials collection.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project at the Syracuse University Art Museum continues for its third presentation and will feature photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. For this iteration, Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

Continuity, Innovation, and Resistance: The Art of Peter B. Jones
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition will feature the ceramic works by Onondaga artist Peter B. Jones that comment on and actively resist the impact of colonialism on Haudenosaunee communities, past and present. His art presents Haudenosaunee culture as a continuum that has resisted and persisted despite serious attacks on Haudenosaunee lands, sovereignty, and cultural identity.

Making a Global Pre-Modern World
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing from the museum's collections, this exhibition focuses on select moments in the global histories from the 9th through the 19th centuries. The included artworks, many of which are on view in the gallery for the first time, complicate ideas of empire, highlight the importance of trade, and foreground how cross-cultural influences inform artistic practices.

Beyond the Classroom: Teaching and Learning at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In its second iteration, this exhibition will showcase the artworks that Syracuse University Art Museum's 2023-2024 Faculty Fellows will teach from during the academic year. Launched in Summer 2022, the museum's Faculty Fellows program supports innovative curriculum development and the fuller integration of the museum's collection into the University's academic life.

Scriptorium con Safos: Syracuse
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist and art historian Josh T Franco stages a highly personal intervention in the Museum's permanent collection galleries by developing the exhibition checklist and staging performances to activate the space. He takes on the fundamental method of compare and contrast, as championed by the 19th-century Swiss art historian Heinrich Wölfflin, in order to consider his place within the discipline. In doing so, he invites museum visitors, especially Syracuse University students, to consider their relationships to their fields of study.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Christine Chin: Invasive Impressions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ithaca-based artist Christine Chin creates works that explore the evidence of climate change and its impact on the environment. "Invasive Impressions" presents two bodies of Chin's work: her "Invasive Species Cyanotypes" and "Native Species Cyanotypes." Chin's "Invasive Species" series uses the cyanotype process to document invasive species in the Finger Lakes region. She uses actual specimens, collected herself or through collaborations with organizations that work to monitor and control invasive species, including the Finger Lakes Institute and the Finger Lakes Partnership for Regional Invasive Species Management. The "Native Species" series focuses on species that coexist in ecosystems affected by invasive species. Shown together, these works draw attention to the relationships that form between species competing for the same ever-dwindling resources.

"Christine Chin: Invasive Impressions" is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"On My Own Time" is a community arts program that links the business and cultural sectors of Central New York to spotlight local workforce members who create visual art 'on their own time.' Its goal is to promote appreciation and support of visual arts and recognize individual creativity in our region. It seeks to create a bridge between the business and arts communities in a collaborative setting that encourages, recognizes, and celebrates creativity in the local workforce. This joint effort promotes an appreciation of the importance of arts and culture to the economy and quality of life of the Central New York community. This year, On My Own Time rings in its 50th annual celebration of the creative talents of the Central New York workforce and the beauty of art in our lives!

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Architecture in Central New York: Watercolors by Dan Shanahan
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Dan Shanahan's paintings highlight the quiet beauty found in scenes of everyday life. His plein air watercolors depict residential and downtown neighborhoods throughout the city of Syracuse, focusing on distinctive buildings and houses.

Mondrian: Art, Design, Fashion
Syracuse University School of Art and Design

Price: Free
The Warehouse Genet Gallery
350 W. Fayette St., Syracuse

Discover the remarkable influence of Piet Mondrian's art on fashion and design. This exhibition, curated by Professor Jeffrey Mayer and featuring the Sue Ann Genet Costume Collection, addresses the effect that Piet Mondrian's utopian neoplastic art has had on design and fashion in the late 20th and early 21st centuries.

Mondrian (1872-1944) was a visionary Dutch painter known for pioneering the De Stijl movement. His iconic grid-based compositions using only straight lines, primary colors plus black, white and grey, transformed the art world. His work embodies simplicity, harmony, and a universal language of abstraction.

The exhibition features not only fashion from the 1980s and 1990s but is also filled with additional "design" objects that have been influenced by Mondrian's work, including dinnerware from Kate Spade; toys from Mattel, LOL and Thomas the Train; sneakers by Nike; and packaging from the beauty brand L'Oreal's Studio Line.

On My Own Time Retrospective
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

This year marks the 50th anniversary of On My Own Time, a creative showcase produced by CNY Arts. For a half-century, On My Own Time has offered a unique forum for avocational artists to display their original visual artwork.

Each artist is a member of the local workforce, and businesses are encouraged to participate and celebrate the creative achievement of their employees. On My Own Time was inspired by individuals who make art outside of the hours dedicated to their career. On My Own Time welcomes nonprofessional artists of all levels of expertise and experience who share the joy of creative expression in common.

This fall, join CNY Arts and participants of On My Own Time - past and present - to celebrate our avocational creative community! The On My Own Time 50th Anniversary Retrospective will run at the new Art in the Atrium gallery and programming space, located right in the heart of downtown!

Institute of Queer Ecology: Hysteria
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Hysteria is an original video by Institute of Queer Ecology (IQECO). In this work, the institute uses image, movement, and sound to construct an ecofeminist retelling of the poorly understood "dancing plagues" that swept through Europe between the 10th and the 17th centuries. The afflicted dancers are subtly recast as pointedly subversive agents entangled in environmental contagion and contamination that drive these wild, manic uprisings.

Dancing plagues (also referred to as dancing mania, choreomania, and tarantism) were spontaneous social phenomena in which groups of people, at times in the thousands, danced erratically and without restraint. The mania affected people of all ages and genders, and they often danced until they collapsed from exhaustion or suffered injury and even death.

Shot in and around Syracuse as part of Light Work UVP's Residential Media Art Commission program, Hysteria features many iconic Central New York locations, including the Syracuse Metro Water Treatment Plant on Onondaga Lake, Pratt's Falls, and Stone Quarry Art Park. (12:33, 2023)

Screening begins at dusk on the Everson Museum facade.

Festival of Laughs
Landmark Theatre

Landmark Theatre
362 S. Salina St., Syracuse

Get ready for an uproarious evening of laughter at the highly anticipated Festival of Laughs. The show features a star-studded lineup of renowned comedians, including Sommore, Lavell Crawford, Guy Torry, and Dominique. With their perfect blend of humor and charm, these world-class comedians each bring their own unique comedic style that offers something for everyone.

Movie Night: "Hotline" Digital Series by Jasmine P. White
Community Folk Art Center

CFAC Black Box Theater
805 E. Genesee St., Syracuse

Grab your popcorn and get ready for a fun-filled movie night! This dynamic murder mystery is sure to have you on the edge of your seat.

Christmas with the King: The Ultimate Elvis Tribute Experience
Palace Theatre

Palace Theater
2384 James St., Syracuse

Get ready to enjoy not one, but three incredible Ultimate Elvis Tribute Artists accompanied with full band and incredible production which has been bringing fans the Elvis Experience for many years, not only performing his timeless hits with exacting reverence but even looking and acting the part.

When the Elvis Tribute Artists take the stage, they embody not just the music but the feeling of an Elvis concert. A typical "Memories of Elvis" show will have audiences singing along and probably shedding a tear or two out of joy, and also out of reverence for the dearly departed, one of the greatest American artists of all time. We will take you on a journey through the 50s, the '68 Comeback Special, Vegas Years and Aloha From Hawaii, and his Christmas songs.

*SOLD OUT* Mia Borders
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Mia Borders brings her powerhouse vocals and charismatic songwriting back to the 443. Heralded locally and nationally as one of the city's best talents, Borders has been featured on AXS.tv's coverage of The New Orleans Jazz & Heritage Festival, and has performed at such renowned venues as Essence Festival, Brazil's Bourbon Street Music Festival, House of Blues New Orleans, Tipitina's, Santa Cruz Blues Fest, Chattanooga's Night Fall, Voice of the Wetlands, Memphis' Levitt Shell, Wakarusa, Long's Park Amphitheater, 2012 Food & Wine Classic, and The Kennedy Center for Performing Arts. She has shared bills with B.B. King, Corinne Bailey Rae, Lee Fields, and Marc Broussard, among others.

Brooks Williams
Folkus Project

Price: $20 regular, $17 Folkus members
May Memorial Unitarian Society
3800 E. Genesee St., Syracuse

Guitarist, singer and songwriter Brooks Williams has been a leading light on the acoustic music scene for three decades. His guitar skills are evident as he effortlessly slides in and out of folk, blues and country with a jazz player's adroitness. It comes as no surprise he is listed in the Top 100 Acoustic Guitarists and WUMB-FM Boston's Top 100 All-Time Artists.

Williams is one of the most versatile and entertaining performers on the acoustic roots music scene today. He walks the line between blues and Americana, but there's a bit of jazz and rockabilly thrown in for good measure. Imagine Doc Watson, Willie Nelson, Lonnie Johnson and Blind Boy Fuller sitting in a bar having a jam!

He wraps his virtuoso guitar playing around songs with rich narratives about gold prospectors, guitar players, motorcycle riders, golden palominos and ne'er-do-wells, and sings them with a voice you melt into.

Susana H. Case
Downtown Writer's Center

Price: Free
Online

Susana H. Case has authored nine books of poetry, including If This Isn't Love, Broadstone Books, 2022, which won her a third Pinnacle Book Achievement Award, and The Damage Done. Her books have previously also won an IPPY, a NYC Big Book Award Distinguished Favorite award, and she was a Finalist twice and an Honorable Mention for the Eric Hoffer Book Award, as well as Finalist for the American Book Fest Awards, and the International Book Awards. The first of her five chapbooks, The Scottish Café, Slapering Hol Press, was re-released in a dual-language English-Polish version, Kawiarnia Szkocka by Opole University Press. She co-edited, with Margo Taft Stever, the anthology I Wanna Be Loved by You: Poems on Marilyn Monroe, Milk and Cake Press, 2022. Case currently is a co-editor of Slapering Hol Press and a co-host of the literary series W-E: Poets of the Pandemic and Beyond.

Prescription: Murder
Central New York Playhouse

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Providing the inspiration for the TV series Columbo, the theatrical predecessor Prescription: Murder tells the story of a brilliant psychiatrist and his mistress who hatch a plot to murder his neurotic, possessive wife. The execution of their plan and the creation of their perfect alibi depends on a bizarre impersonation. Lt. Columbo must engage the psychiatrist in a duel of wits until the doctor succeeds in having Columbo removed from the case. However, it is the mistress who proves to be the weak link that leads to a trap and a surprising climax!

Edgar in the Red Room
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne community
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Boot and Buskin and the Le Moyne Dance Minor program presents the world premiere of this "macabre cabaret" based on the works of Edgar Allan Poe.

Lady Day at Emerson's Bar and Grill
Syracuse Stage
Jade King Carroll, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Chronicle Billie Holiday's life story through the songs that made her famous. 1959, in a small, intimate bar in Philadelphia, Holiday puts on a show that unbeknownst to the audience, will leave them witness to one of the last performances of her lifetime. One of the greatest jazz and blues singers of all time shares her loves and losses through her poignant voice and moving songs, including "Strange Fruit," "God Bless the Child," "When a Woman Loves a Man," and "Ain't Nobody's Business if I Do."

Written by Lanie Robertson, with musical arrangements by Danny Holgate.

Saturday, November 4, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

2023 Drawing on Talent: Members' Art Exhibit
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Visual Music: Bolero de Cochereau
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carpenter: visual interpretations of the rich and nuanced sound of Pierre Cochereau's organ improvisation of Bolero, presented as digital imagery on canvas
Michael Hughes: textural wheel thrown stoneware and porcelain
Lily Tsay: glass bead and homemade porcelain bead jewelry with select materials

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"On My Own Time" is a community arts program that links the business and cultural sectors of Central New York to spotlight local workforce members who create visual art 'on their own time.' Its goal is to promote appreciation and support of visual arts and recognize individual creativity in our region. It seeks to create a bridge between the business and arts communities in a collaborative setting that encourages, recognizes, and celebrates creativity in the local workforce. This joint effort promotes an appreciation of the importance of arts and culture to the economy and quality of life of the Central New York community. This year, On My Own Time rings in its 50th annual celebration of the creative talents of the Central New York workforce and the beauty of art in our lives!

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Christine Chin: Invasive Impressions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ithaca-based artist Christine Chin creates works that explore the evidence of climate change and its impact on the environment. "Invasive Impressions" presents two bodies of Chin's work: her "Invasive Species Cyanotypes" and "Native Species Cyanotypes." Chin's "Invasive Species" series uses the cyanotype process to document invasive species in the Finger Lakes region. She uses actual specimens, collected herself or through collaborations with organizations that work to monitor and control invasive species, including the Finger Lakes Institute and the Finger Lakes Partnership for Regional Invasive Species Management. The "Native Species" series focuses on species that coexist in ecosystems affected by invasive species. Shown together, these works draw attention to the relationships that form between species competing for the same ever-dwindling resources.

"Christine Chin: Invasive Impressions" is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

Architecture in Central New York: Watercolors by Dan Shanahan
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Dan Shanahan's paintings highlight the quiet beauty found in scenes of everyday life. His plein air watercolors depict residential and downtown neighborhoods throughout the city of Syracuse, focusing on distinctive buildings and houses.

A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

The traveling exhibition "A Love Supreme" re-imagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC's manuscript and archival collections as well as the rare book and printed materials collection.

On My Own Time Retrospective
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

This year marks the 50th anniversary of On My Own Time, a creative showcase produced by CNY Arts. For a half-century, On My Own Time has offered a unique forum for avocational artists to display their original visual artwork.

Each artist is a member of the local workforce, and businesses are encouraged to participate and celebrate the creative achievement of their employees. On My Own Time was inspired by individuals who make art outside of the hours dedicated to their career. On My Own Time welcomes nonprofessional artists of all levels of expertise and experience who share the joy of creative expression in common.

This fall, join CNY Arts and participants of On My Own Time - past and present - to celebrate our avocational creative community! The On My Own Time 50th Anniversary Retrospective will run at the new Art in the Atrium gallery and programming space, located right in the heart of downtown!

Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project at the Syracuse University Art Museum continues for its third presentation and will feature photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. For this iteration, Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

Scriptorium con Safos: Syracuse
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist and art historian Josh T Franco stages a highly personal intervention in the Museum's permanent collection galleries by developing the exhibition checklist and staging performances to activate the space. He takes on the fundamental method of compare and contrast, as championed by the 19th-century Swiss art historian Heinrich Wölfflin, in order to consider his place within the discipline. In doing so, he invites museum visitors, especially Syracuse University students, to consider their relationships to their fields of study.

Beyond the Classroom: Teaching and Learning at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In its second iteration, this exhibition will showcase the artworks that Syracuse University Art Museum's 2023-2024 Faculty Fellows will teach from during the academic year. Launched in Summer 2022, the museum's Faculty Fellows program supports innovative curriculum development and the fuller integration of the museum's collection into the University's academic life.

Making a Global Pre-Modern World
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing from the museum's collections, this exhibition focuses on select moments in the global histories from the 9th through the 19th centuries. The included artworks, many of which are on view in the gallery for the first time, complicate ideas of empire, highlight the importance of trade, and foreground how cross-cultural influences inform artistic practices.

Continuity, Innovation, and Resistance: The Art of Peter B. Jones
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition will feature the ceramic works by Onondaga artist Peter B. Jones that comment on and actively resist the impact of colonialism on Haudenosaunee communities, past and present. His art presents Haudenosaunee culture as a continuum that has resisted and persisted despite serious attacks on Haudenosaunee lands, sovereignty, and cultural identity.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

Institute of Queer Ecology: Hysteria
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Hysteria is an original video by Institute of Queer Ecology (IQECO). In this work, the institute uses image, movement, and sound to construct an ecofeminist retelling of the poorly understood "dancing plagues" that swept through Europe between the 10th and the 17th centuries. The afflicted dancers are subtly recast as pointedly subversive agents entangled in environmental contagion and contamination that drive these wild, manic uprisings.

Dancing plagues (also referred to as dancing mania, choreomania, and tarantism) were spontaneous social phenomena in which groups of people, at times in the thousands, danced erratically and without restraint. The mania affected people of all ages and genders, and they often danced until they collapsed from exhaustion or suffered injury and even death.

Shot in and around Syracuse as part of Light Work UVP's Residential Media Art Commission program, Hysteria features many iconic Central New York locations, including the Syracuse Metro Water Treatment Plant on Onondaga Lake, Pratt's Falls, and Stone Quarry Art Park. (12:33, 2023)

Screening begins at dusk on the Everson Museum facade.

Rzewski: The People United Will Never Be Defeated
Civic Morning Musicals
Vadim Serebryany, piano

Price: $10
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Pianist Vadim Serebryany presents the iconic work of Frederic Rzewski, The People United Will Never Be Defeated, 1975. This work is a set of 36 variations on the Chilean protest song of the same title.

*SOLD OUT* Ward Hayden & the Outliers: A Celebration of Hank Williams
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Acclaimed band Ward Hayden & The Outliers are New England's premier classic Country outfit. Winners of several Boston Music Awards, the band tours relentlessly in the U.S. and Europe on their own and supporting established artists such as Los Lobos, The Mavericks, and Marty Stuart.

Danish String Quartet
Syracuse Friends of Chamber Music

H. W. Smith School Auditorium
1130 Salt Springs Rd., Syracuse

Purcell Chaconne in G Minor
Haydn String Quartet op. 20, no. 3
Shostakovich String Quartet no. 7
Folk music

Edgar in the Red Room
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne community
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Boot and Buskin and the Le Moyne Dance Minor program presents the world premiere of this "macabre cabaret" based on the works of Edgar Allan Poe.

Lady Day at Emerson's Bar and Grill
Syracuse Stage
Jade King Carroll, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Chronicle Billie Holiday's life story through the songs that made her famous. 1959, in a small, intimate bar in Philadelphia, Holiday puts on a show that unbeknownst to the audience, will leave them witness to one of the last performances of her lifetime. One of the greatest jazz and blues singers of all time shares her loves and losses through her poignant voice and moving songs, including "Strange Fruit," "God Bless the Child," "When a Woman Loves a Man," and "Ain't Nobody's Business if I Do."

Written by Lanie Robertson, with musical arrangements by Danny Holgate.

Prescription: Murder
Central New York Playhouse

Atonement Lutheran Church
116 W. Glen Ave., Syracuse

Providing the inspiration for the TV series Columbo, the theatrical predecessor Prescription: Murder tells the story of a brilliant psychiatrist and his mistress who hatch a plot to murder his neurotic, possessive wife. The execution of their plan and the creation of their perfect alibi depends on a bizarre impersonation. Lt. Columbo must engage the psychiatrist in a duel of wits until the doctor succeeds in having Columbo removed from the case. However, it is the mistress who proves to be the weak link that leads to a trap and a surprising climax!

Edgar in the Red Room
LeMoyne College

Price: $20 regular, $15 seniors, $5 students and LeMoyne community
Coyne Center for the Performing Arts
LeMoyne College, Syracuse

Boot and Buskin and the Le Moyne Dance Minor program presents the world premiere of this "macabre cabaret" based on the works of Edgar Allan Poe.

Lady Day at Emerson's Bar and Grill
Syracuse Stage
Jade King Carroll, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Chronicle Billie Holiday's life story through the songs that made her famous. 1959, in a small, intimate bar in Philadelphia, Holiday puts on a show that unbeknownst to the audience, will leave them witness to one of the last performances of her lifetime. One of the greatest jazz and blues singers of all time shares her loves and losses through her poignant voice and moving songs, including "Strange Fruit," "God Bless the Child," "When a Woman Loves a Man," and "Ain't Nobody's Business if I Do."

Written by Lanie Robertson, with musical arrangements by Danny Holgate.

Sunday, November 5, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"On My Own Time" is a community arts program that links the business and cultural sectors of Central New York to spotlight local workforce members who create visual art 'on their own time.' Its goal is to promote appreciation and support of visual arts and recognize individual creativity in our region. It seeks to create a bridge between the business and arts communities in a collaborative setting that encourages, recognizes, and celebrates creativity in the local workforce. This joint effort promotes an appreciation of the importance of arts and culture to the economy and quality of life of the Central New York community. This year, On My Own Time rings in its 50th annual celebration of the creative talents of the Central New York workforce and the beauty of art in our lives!

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Christine Chin: Invasive Impressions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ithaca-based artist Christine Chin creates works that explore the evidence of climate change and its impact on the environment. "Invasive Impressions" presents two bodies of Chin's work: her "Invasive Species Cyanotypes" and "Native Species Cyanotypes." Chin's "Invasive Species" series uses the cyanotype process to document invasive species in the Finger Lakes region. She uses actual specimens, collected herself or through collaborations with organizations that work to monitor and control invasive species, including the Finger Lakes Institute and the Finger Lakes Partnership for Regional Invasive Species Management. The "Native Species" series focuses on species that coexist in ecosystems affected by invasive species. Shown together, these works draw attention to the relationships that form between species competing for the same ever-dwindling resources.

"Christine Chin: Invasive Impressions" is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

Architecture in Central New York: Watercolors by Dan Shanahan
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Dan Shanahan's paintings highlight the quiet beauty found in scenes of everyday life. His plein air watercolors depict residential and downtown neighborhoods throughout the city of Syracuse, focusing on distinctive buildings and houses.

On My Own Time Retrospective
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

This year marks the 50th anniversary of On My Own Time, a creative showcase produced by CNY Arts. For a half-century, On My Own Time has offered a unique forum for avocational artists to display their original visual artwork.

Each artist is a member of the local workforce, and businesses are encouraged to participate and celebrate the creative achievement of their employees. On My Own Time was inspired by individuals who make art outside of the hours dedicated to their career. On My Own Time welcomes nonprofessional artists of all levels of expertise and experience who share the joy of creative expression in common.

This fall, join CNY Arts and participants of On My Own Time - past and present - to celebrate our avocational creative community! The On My Own Time 50th Anniversary Retrospective will run at the new Art in the Atrium gallery and programming space, located right in the heart of downtown!

Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project at the Syracuse University Art Museum continues for its third presentation and will feature photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. For this iteration, Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

Continuity, Innovation, and Resistance: The Art of Peter B. Jones
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition will feature the ceramic works by Onondaga artist Peter B. Jones that comment on and actively resist the impact of colonialism on Haudenosaunee communities, past and present. His art presents Haudenosaunee culture as a continuum that has resisted and persisted despite serious attacks on Haudenosaunee lands, sovereignty, and cultural identity.

Making a Global Pre-Modern World
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing from the museum's collections, this exhibition focuses on select moments in the global histories from the 9th through the 19th centuries. The included artworks, many of which are on view in the gallery for the first time, complicate ideas of empire, highlight the importance of trade, and foreground how cross-cultural influences inform artistic practices.

Beyond the Classroom: Teaching and Learning at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In its second iteration, this exhibition will showcase the artworks that Syracuse University Art Museum's 2023-2024 Faculty Fellows will teach from during the academic year. Launched in Summer 2022, the museum's Faculty Fellows program supports innovative curriculum development and the fuller integration of the museum's collection into the University's academic life.

Scriptorium con Safos: Syracuse
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist and art historian Josh T Franco stages a highly personal intervention in the Museum's permanent collection galleries by developing the exhibition checklist and staging performances to activate the space. He takes on the fundamental method of compare and contrast, as championed by the 19th-century Swiss art historian Heinrich Wölfflin, in order to consider his place within the discipline. In doing so, he invites museum visitors, especially Syracuse University students, to consider their relationships to their fields of study.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

All Fours
Onondaga Civic Symphony Orchestra
Erik Kibelsbeck, conductor
Featuring Kathy Egloff and Christopher Dranchek, flute; Stephen Levine, violin

Price: Suggested donation: $15 regular, $10 seniors, $5 college students, children under 18 free
St. Cecilia's Church
1001 Woods Rd., Syracuse

Bach Brandenburg Concerto No. 4
Tchaikovsky Suite No. 4, "Mozartiana"
Beethoven Symphony No. 4

lake effects
Society for New Music
Heather Buchman, conductor

Price: $20 regular, $15 students/seniors, children 18 and under free
Park Central Presbyterian Church
504 E. Fayette St., Syracuse

Ryan Chase lake effects, 2023
Natalie Draper Evolutions, 2022
Marc Mellits DAVID, 2023
Jin Ping Southern Air, 2022

Performed by the Society Players.

Trombone Ensemble
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Lady Day at Emerson's Bar and Grill
Syracuse Stage
Jade King Carroll, director

Archbold Theater, Syracuse Stage
820 E. Genesee St., Syracuse

Chronicle Billie Holiday's life story through the songs that made her famous. 1959, in a small, intimate bar in Philadelphia, Holiday puts on a show that unbeknownst to the audience, will leave them witness to one of the last performances of her lifetime. One of the greatest jazz and blues singers of all time shares her loves and losses through her poignant voice and moving songs, including "Strange Fruit," "God Bless the Child," "When a Woman Loves a Man," and "Ain't Nobody's Business if I Do."

Written by Lanie Robertson, with musical arrangements by Danny Holgate.

Monday, November 6, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

2023 Drawing on Talent: Members' Art Exhibit
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

The traveling exhibition "A Love Supreme" re-imagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC's manuscript and archival collections as well as the rare book and printed materials collection.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

Pride of the Marines (1945)
Syracuse Cinephile Society

Price: $4 non-members, $3.50 members
Spaghetti Warehouse
689 N. Clinton St., Syracuse

Cast: John Garfield, Eleanor Parker, Dane Clark, John Ridgely, Rosemary DeCamp, Ann Doran
Director: Delmer Daves
In honor of Veterans Day we present this moving and inspirational drama: The true story of Marine Al Schmid who was blinded during a Japanese attack during WWII and how he deals with his condition upon his homecoming. Excellent performances by Garfield (as Schmid) and the rest of the talented cast.

Tuesday, November 7, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

2023 Drawing on Talent: Members' Art Exhibit
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Visual Music: Bolero de Cochereau
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carpenter: visual interpretations of the rich and nuanced sound of Pierre Cochereau's organ improvisation of Bolero, presented as digital imagery on canvas
Michael Hughes: textural wheel thrown stoneware and porcelain
Lily Tsay: glass bead and homemade porcelain bead jewelry with select materials

A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

The traveling exhibition "A Love Supreme" re-imagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC's manuscript and archival collections as well as the rare book and printed materials collection.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project at the Syracuse University Art Museum continues for its third presentation and will feature photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. For this iteration, Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

Scriptorium con Safos: Syracuse
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist and art historian Josh T Franco stages a highly personal intervention in the Museum's permanent collection galleries by developing the exhibition checklist and staging performances to activate the space. He takes on the fundamental method of compare and contrast, as championed by the 19th-century Swiss art historian Heinrich Wölfflin, in order to consider his place within the discipline. In doing so, he invites museum visitors, especially Syracuse University students, to consider their relationships to their fields of study.

Beyond the Classroom: Teaching and Learning at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In its second iteration, this exhibition will showcase the artworks that Syracuse University Art Museum's 2023-2024 Faculty Fellows will teach from during the academic year. Launched in Summer 2022, the museum's Faculty Fellows program supports innovative curriculum development and the fuller integration of the museum's collection into the University's academic life.

Making a Global Pre-Modern World
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing from the museum's collections, this exhibition focuses on select moments in the global histories from the 9th through the 19th centuries. The included artworks, many of which are on view in the gallery for the first time, complicate ideas of empire, highlight the importance of trade, and foreground how cross-cultural influences inform artistic practices.

Continuity, Innovation, and Resistance: The Art of Peter B. Jones
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition will feature the ceramic works by Onondaga artist Peter B. Jones that comment on and actively resist the impact of colonialism on Haudenosaunee communities, past and present. His art presents Haudenosaunee culture as a continuum that has resisted and persisted despite serious attacks on Haudenosaunee lands, sovereignty, and cultural identity.

Shilpanatanam: An Evening of Indian Classical Dance
Everson Museum of Art

Price: Free
Everson Museum of Art
401 Harrison St., Syracuse

Falk College and the College of Arts and Sciences present a dance recital by Maya Kulkarni, Mesma Belsare, and Kaustavi Sarkar.

Choreographed by Kulkarni, a noted danseuse and dance researcher, the recital is inspired by Shilpanatanam (Dancing Work of Art), a genre that draws upon sculpture and paintings from historic Hindu temples in India. Kulkarni, who is trained in Bharatanatyam, one of the oldest classical Indian dance traditions, will be joined by Belsare and Sarkar, two classically trained dancers who will bring Odissi, another classical dance tradition, to the stage. Bharatanatyam and Odissi trace their origins back to the Natyasastra, the earliest known treatise on dance in South Asia, which theorizes the expressive potential of dance through an interplay between rasa (emotional state) and bhava (emotive state): rasa is evoked by a succession of bhavas in an artistic performance. Today's classical dancers rely on abhinaya (expression) and nritya (dance) to evoke rasa. Kulkarni, Belsare, and Sarkar will premier two new dance pieces in Syracuse, including one based on Jatayu, a character from the Ramayana, an ancient Sanskrit epic.

Jazz at Timber Banks: Cherie Giraud
CNY Jazz Arts Foundation

Price: Free
Persimmons
3536 Timber Banks Pkwy., Baldwinsville

Setnor Ensemble Series: Samba Laranja, the S.U. Brazilian Ensemble
Syracuse University Setnor School of Music
Elisa Dekaney, conductor

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Wednesday, November 8, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

2023 Drawing on Talent: Members' Art Exhibit
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Visual Music: Bolero de Cochereau
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carpenter: visual interpretations of the rich and nuanced sound of Pierre Cochereau's organ improvisation of Bolero, presented as digital imagery on canvas
Michael Hughes: textural wheel thrown stoneware and porcelain
Lily Tsay: glass bead and homemade porcelain bead jewelry with select materials

A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

The traveling exhibition "A Love Supreme" re-imagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC's manuscript and archival collections as well as the rare book and printed materials collection.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project at the Syracuse University Art Museum continues for its third presentation and will feature photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. For this iteration, Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

Continuity, Innovation, and Resistance: The Art of Peter B. Jones
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition will feature the ceramic works by Onondaga artist Peter B. Jones that comment on and actively resist the impact of colonialism on Haudenosaunee communities, past and present. His art presents Haudenosaunee culture as a continuum that has resisted and persisted despite serious attacks on Haudenosaunee lands, sovereignty, and cultural identity.

Making a Global Pre-Modern World
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing from the museum's collections, this exhibition focuses on select moments in the global histories from the 9th through the 19th centuries. The included artworks, many of which are on view in the gallery for the first time, complicate ideas of empire, highlight the importance of trade, and foreground how cross-cultural influences inform artistic practices.

Beyond the Classroom: Teaching and Learning at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In its second iteration, this exhibition will showcase the artworks that Syracuse University Art Museum's 2023-2024 Faculty Fellows will teach from during the academic year. Launched in Summer 2022, the museum's Faculty Fellows program supports innovative curriculum development and the fuller integration of the museum's collection into the University's academic life.

Scriptorium con Safos: Syracuse
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist and art historian Josh T Franco stages a highly personal intervention in the Museum's permanent collection galleries by developing the exhibition checklist and staging performances to activate the space. He takes on the fundamental method of compare and contrast, as championed by the 19th-century Swiss art historian Heinrich Wölfflin, in order to consider his place within the discipline. In doing so, he invites museum visitors, especially Syracuse University students, to consider their relationships to their fields of study.

Christine Chin: Invasive Impressions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ithaca-based artist Christine Chin creates works that explore the evidence of climate change and its impact on the environment. "Invasive Impressions" presents two bodies of Chin's work: her "Invasive Species Cyanotypes" and "Native Species Cyanotypes." Chin's "Invasive Species" series uses the cyanotype process to document invasive species in the Finger Lakes region. She uses actual specimens, collected herself or through collaborations with organizations that work to monitor and control invasive species, including the Finger Lakes Institute and the Finger Lakes Partnership for Regional Invasive Species Management. The "Native Species" series focuses on species that coexist in ecosystems affected by invasive species. Shown together, these works draw attention to the relationships that form between species competing for the same ever-dwindling resources.

"Christine Chin: Invasive Impressions" is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"On My Own Time" is a community arts program that links the business and cultural sectors of Central New York to spotlight local workforce members who create visual art 'on their own time.' Its goal is to promote appreciation and support of visual arts and recognize individual creativity in our region. It seeks to create a bridge between the business and arts communities in a collaborative setting that encourages, recognizes, and celebrates creativity in the local workforce. This joint effort promotes an appreciation of the importance of arts and culture to the economy and quality of life of the Central New York community. This year, On My Own Time rings in its 50th annual celebration of the creative talents of the Central New York workforce and the beauty of art in our lives!

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

Disney’s Aladdin
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Discover a whole new world at Disney's Aladdin, the hit Broadway musical.

From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It's an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite.

Hailed by USA Today as "Pure Genie-Us," Aladdin features all your favorite songs from the film as well as new music written by Tony- and Academy Award-winner Alan Menken with lyrics penned by the legendary Howard Ashman, Tony Award winner Tim Rice, and book writer Chad Beguelin.

Directed and choreographed by Tony Award winner Casey Nicholaw, this "Fabulous" and "Extravagant" (The New York Times) new musical boasts an incomparable design team, with sets, costumes and lighting from Tony Award winners Bob Crowley, Gregg Barnes, and Natasha Katz. See why audiences and critics agree, Aladdin is "Exactly What You Wish For!" (NBC-TV).

Thursday, November 9, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

2023 Drawing on Talent: Members' Art Exhibit
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Visual Music: Bolero de Cochereau
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carpenter: visual interpretations of the rich and nuanced sound of Pierre Cochereau's organ improvisation of Bolero, presented as digital imagery on canvas
Michael Hughes: textural wheel thrown stoneware and porcelain
Lily Tsay: glass bead and homemade porcelain bead jewelry with select materials

A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

The traveling exhibition "A Love Supreme" re-imagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC's manuscript and archival collections as well as the rare book and printed materials collection.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project at the Syracuse University Art Museum continues for its third presentation and will feature photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. For this iteration, Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

Scriptorium con Safos: Syracuse
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist and art historian Josh T Franco stages a highly personal intervention in the Museum's permanent collection galleries by developing the exhibition checklist and staging performances to activate the space. He takes on the fundamental method of compare and contrast, as championed by the 19th-century Swiss art historian Heinrich Wölfflin, in order to consider his place within the discipline. In doing so, he invites museum visitors, especially Syracuse University students, to consider their relationships to their fields of study.

Beyond the Classroom: Teaching and Learning at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In its second iteration, this exhibition will showcase the artworks that Syracuse University Art Museum's 2023-2024 Faculty Fellows will teach from during the academic year. Launched in Summer 2022, the museum's Faculty Fellows program supports innovative curriculum development and the fuller integration of the museum's collection into the University's academic life.

Making a Global Pre-Modern World
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing from the museum's collections, this exhibition focuses on select moments in the global histories from the 9th through the 19th centuries. The included artworks, many of which are on view in the gallery for the first time, complicate ideas of empire, highlight the importance of trade, and foreground how cross-cultural influences inform artistic practices.

Continuity, Innovation, and Resistance: The Art of Peter B. Jones
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition will feature the ceramic works by Onondaga artist Peter B. Jones that comment on and actively resist the impact of colonialism on Haudenosaunee communities, past and present. His art presents Haudenosaunee culture as a continuum that has resisted and persisted despite serious attacks on Haudenosaunee lands, sovereignty, and cultural identity.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

Christine Chin: Invasive Impressions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ithaca-based artist Christine Chin creates works that explore the evidence of climate change and its impact on the environment. "Invasive Impressions" presents two bodies of Chin's work: her "Invasive Species Cyanotypes" and "Native Species Cyanotypes." Chin's "Invasive Species" series uses the cyanotype process to document invasive species in the Finger Lakes region. She uses actual specimens, collected herself or through collaborations with organizations that work to monitor and control invasive species, including the Finger Lakes Institute and the Finger Lakes Partnership for Regional Invasive Species Management. The "Native Species" series focuses on species that coexist in ecosystems affected by invasive species. Shown together, these works draw attention to the relationships that form between species competing for the same ever-dwindling resources.

"Christine Chin: Invasive Impressions" is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"On My Own Time" is a community arts program that links the business and cultural sectors of Central New York to spotlight local workforce members who create visual art 'on their own time.' Its goal is to promote appreciation and support of visual arts and recognize individual creativity in our region. It seeks to create a bridge between the business and arts communities in a collaborative setting that encourages, recognizes, and celebrates creativity in the local workforce. This joint effort promotes an appreciation of the importance of arts and culture to the economy and quality of life of the Central New York community. This year, On My Own Time rings in its 50th annual celebration of the creative talents of the Central New York workforce and the beauty of art in our lives!

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Architecture in Central New York: Watercolors by Dan Shanahan
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Dan Shanahan's paintings highlight the quiet beauty found in scenes of everyday life. His plein air watercolors depict residential and downtown neighborhoods throughout the city of Syracuse, focusing on distinctive buildings and houses.

Institute of Queer Ecology: Hysteria
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Hysteria is an original video by Institute of Queer Ecology (IQECO). In this work, the institute uses image, movement, and sound to construct an ecofeminist retelling of the poorly understood "dancing plagues" that swept through Europe between the 10th and the 17th centuries. The afflicted dancers are subtly recast as pointedly subversive agents entangled in environmental contagion and contamination that drive these wild, manic uprisings.

Dancing plagues (also referred to as dancing mania, choreomania, and tarantism) were spontaneous social phenomena in which groups of people, at times in the thousands, danced erratically and without restraint. The mania affected people of all ages and genders, and they often danced until they collapsed from exhaustion or suffered injury and even death.

Shot in and around Syracuse as part of Light Work UVP's Residential Media Art Commission program, Hysteria features many iconic Central New York locations, including the Syracuse Metro Water Treatment Plant on Onondaga Lake, Pratt's Falls, and Stone Quarry Art Park. (12:33, 2023)

Screening begins at dusk on the Everson Museum facade.

CFAC Legacy Speaker Jasmine P. White
Community Folk Art Center

Price: Free
CFAC Black Box Theater
805 E. Genesee St., Syracuse

Join us as S.I Newhouse School of Public Communications alumna Jasmine P. White shares her artistic journey and how to create your own buzz in the film industry.

*SOLD OUT* Dead to the Core
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

Dead to the Core, an acoustic celebration of the Grateful Dead, is a collective of singer-songwriters and acoustic musicians, led by musician/author Jeffrey Pepper Rodgers, that celebrates the music of the Grateful Dead — not through note-for-note re-creations but by playing the songs their own way, letting them grow and evolve collaboratively in the true spirit of the Dead.

Dead to the Core grew out of a series of Jerry Garcia birthday shows hosted by Rodgers at the legendary Club Passim in Cambridge, Massachusetts, and now tours around the northeast. This show at the 443 features an all-star local band. Joining Rodgers (guitar, Strumstick) are Tim Burns of Two Hour Delay (guitar, mandolin), Wendy Sassafras Ramsay (flute, clarinet, accordion), Josh Dekaney (percussion kit), and John Dancks (upright bass).

Syracuse University Symphony Orchestra
Syracuse University Setnor School of Music

Price: Free
Setnor Auditorium, Crouse College
Syracuse University, Syracuse

Disney’s Aladdin
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Discover a whole new world at Disney's Aladdin, the hit Broadway musical.

From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It's an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite.

Hailed by USA Today as "Pure Genie-Us," Aladdin features all your favorite songs from the film as well as new music written by Tony- and Academy Award-winner Alan Menken with lyrics penned by the legendary Howard Ashman, Tony Award winner Tim Rice, and book writer Chad Beguelin.

Directed and choreographed by Tony Award winner Casey Nicholaw, this "Fabulous" and "Extravagant" (The New York Times) new musical boasts an incomparable design team, with sets, costumes and lighting from Tony Award winners Bob Crowley, Gregg Barnes, and Natasha Katz. See why audiences and critics agree, Aladdin is "Exactly What You Wish For!" (NBC-TV).

Homestyle Homicide: The Freagan Family Reunion
Acme Mystery Company

Spaghetti Warehouse
689 N. Clinton St., Syracuse

Come a runnin', cousins, 'cause it's time again for the annual family reunion and the whole Freagan family is gonna be there! We're gonna have vittles, singin', hootin' and hollerin' and, of course, no family gathering would be complete without the annual pig-calling contest! Dang, you might even win a big ol' slop bucket full of money! Yeehaw! Best watch your step on the farm this year, though. Pa's been hitting the moonshine a might too hard and is about to lose the farm to that no good snake, Beauregard Hogwallerin! When the girls find out, somebody could end up on the barbecue!

Disney’s Aladdin
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Discover a whole new world at Disney's Aladdin, the hit Broadway musical.

From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It's an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite.

Hailed by USA Today as "Pure Genie-Us," Aladdin features all your favorite songs from the film as well as new music written by Tony- and Academy Award-winner Alan Menken with lyrics penned by the legendary Howard Ashman, Tony Award winner Tim Rice, and book writer Chad Beguelin.

Directed and choreographed by Tony Award winner Casey Nicholaw, this "Fabulous" and "Extravagant" (The New York Times) new musical boasts an incomparable design team, with sets, costumes and lighting from Tony Award winners Bob Crowley, Gregg Barnes, and Natasha Katz. See why audiences and critics agree, Aladdin is "Exactly What You Wish For!" (NBC-TV).

Friday, November 10, 2023

The Border is a Weapon / La frontera es un arma
Point of Contact Gallery

Price: Free
Point of Contact Gallery
350 W. Fayette St., Syracuse

A multi-media art exhibit representing the different realities of a region divided by the Río Grande but united by culture, history, and its people.

The exhibit features works from a collective of South Texas-based artists. Curated by Gil Rocha of the Laredo Center for the Arts.

2023 Drawing on Talent: Members' Art Exhibit
Baltimore Woods Weeks Art Gallery

Price: Free
Baltimore Woods Nature Center
4007 Bishop Hill Rd., Marcellus

Visual Music: Bolero de Cochereau
Edgewood Gallery

Edgewood Gallery
216 Tecumseh Rd., Syracuse

Stephen Carpenter: visual interpretations of the rich and nuanced sound of Pierre Cochereau's organ improvisation of Bolero, presented as digital imagery on canvas
Michael Hughes: textural wheel thrown stoneware and porcelain
Lily Tsay: glass bead and homemade porcelain bead jewelry with select materials

A Love Supreme: Black Cultural Expression and Political Activism of the 1960s and 1970s
Community Folk Art Center

Community Folk Art Center
805 E. Genesee St., Syracuse

The traveling exhibition "A Love Supreme" re-imagines the Black Power and the Black Arts Movements by intentionally unmuting a multitude of Black writers, leaders and artists from SCRC's manuscript and archival collections as well as the rare book and printed materials collection.

2023 Light Work Grants in Photography: Amy Kozlowski, Tahila Mintz, Linda Moses
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

Light Work's annual Grant in Photography awards exhibition. This year's recipients are: Amy "Koz" Kozlowski, Linda Moses, and Tahila Mintz. The Grants in Photography are part of Light Work's continuing support of Central New York lens-based artists.

Eduardo L Rivera: The Sun Echoed Like A Song
Light Work Gallery

Light Work Gallery
316 Waverly Ave., Syracuse University, Syracuse

"The Sun Echoed Like A Song" is an exhibition of photographs exploring the personal history of his family, community, and the landscape made in Phoenix, Arizona, the artist's childhood hometown.

Nona Faustine, My Country
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The Art Wall Project at the Syracuse University Art Museum continues for its third presentation and will feature photographs and silk-screen prints made by Nona Faustine, a Brooklyn-based photographer. For this iteration, Faustine will consider the legacy of monuments in the United States and explore how, as she has described, "history is turned around. What is left out, what is included, what are the lies. And who gets celebrated."

Continuity, Innovation, and Resistance: The Art of Peter B. Jones
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

The exhibition will feature the ceramic works by Onondaga artist Peter B. Jones that comment on and actively resist the impact of colonialism on Haudenosaunee communities, past and present. His art presents Haudenosaunee culture as a continuum that has resisted and persisted despite serious attacks on Haudenosaunee lands, sovereignty, and cultural identity.

Making a Global Pre-Modern World
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Drawing from the museum's collections, this exhibition focuses on select moments in the global histories from the 9th through the 19th centuries. The included artworks, many of which are on view in the gallery for the first time, complicate ideas of empire, highlight the importance of trade, and foreground how cross-cultural influences inform artistic practices.

Beyond the Classroom: Teaching and Learning at the Museum
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

In its second iteration, this exhibition will showcase the artworks that Syracuse University Art Museum's 2023-2024 Faculty Fellows will teach from during the academic year. Launched in Summer 2022, the museum's Faculty Fellows program supports innovative curriculum development and the fuller integration of the museum's collection into the University's academic life.

Scriptorium con Safos: Syracuse
Syracuse University Art Museum

Syracuse University Art Museum, Shaffer Art Building
Syracuse University, Syracuse

Artist and art historian Josh T Franco stages a highly personal intervention in the Museum's permanent collection galleries by developing the exhibition checklist and staging performances to activate the space. He takes on the fundamental method of compare and contrast, as championed by the 19th-century Swiss art historian Heinrich Wölfflin, in order to consider his place within the discipline. In doing so, he invites museum visitors, especially Syracuse University students, to consider their relationships to their fields of study.

Christine Chin: Invasive Impressions
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Ithaca-based artist Christine Chin creates works that explore the evidence of climate change and its impact on the environment. "Invasive Impressions" presents two bodies of Chin's work: her "Invasive Species Cyanotypes" and "Native Species Cyanotypes." Chin's "Invasive Species" series uses the cyanotype process to document invasive species in the Finger Lakes region. She uses actual specimens, collected herself or through collaborations with organizations that work to monitor and control invasive species, including the Finger Lakes Institute and the Finger Lakes Partnership for Regional Invasive Species Management. The "Native Species" series focuses on species that coexist in ecosystems affected by invasive species. Shown together, these works draw attention to the relationships that form between species competing for the same ever-dwindling resources.

"Christine Chin: Invasive Impressions" is part of the Everson CNY Artist Initiative, an exhibition program that celebrates the multi-faceted talents of regional artists.

Off the Rack
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"Off the Rack" is the happy by-product of a major renovation of the Everson's on-site art storage.

As hundreds of paintings and framed works are displaced from their racks while renovations take place, the public has an unprecedented opportunity to view objects that have been in deep storage for years, never-before-seen recent acquisitions, and some perennial favorites — all hung together salon-style in our exhibition galleries.

This smorgasbord of paintings and works on paper showcases the breadth and depth of the Museum's collections and provides a glimpse into the world of collections management and care.

A Little Bit of Syracuse
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Drawing on the visual narrative techniques of Japanese graphic novels and traditional Chinese landscape painting, students in the Syracuse University School of Architecture developed A Little Bit of Syracuse, an artistic tableau of the city.

Consisting of an 80-foot scroll drawing and 80 hand-made models of local buildings, the exhibition is a narrative study of the often-overlooked structures that form the backdrop of everyday life in Syracuse. Under the direction of visiting studio professors Li Han and Hu Yan, principals of acclaimed Beijing-based Drawing Architecture Studio, 10 students explored the city, each selecting eight normal, unremarkable buildings — coffee shops, laundromats, residences, etc. — to use as architectural elements in their visual narrative of the city.

Those familiar with Syracuse will immediately recognize many, if not all, the building models — the Dunkin Donuts drive-through, CNY Jazz Central, the Byrne Dairy Deli and Convenience Store.

These and other familiar structures can also be identified in the Syracuse cityscape depicted in the 80-foot scroll drawing, which stitches together each building into a visual story that is at once both realistic and abstract, familiar and unfamiliar.

On My Own Time
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

"On My Own Time" is a community arts program that links the business and cultural sectors of Central New York to spotlight local workforce members who create visual art 'on their own time.' Its goal is to promote appreciation and support of visual arts and recognize individual creativity in our region. It seeks to create a bridge between the business and arts communities in a collaborative setting that encourages, recognizes, and celebrates creativity in the local workforce. This joint effort promotes an appreciation of the importance of arts and culture to the economy and quality of life of the Central New York community. This year, On My Own Time rings in its 50th annual celebration of the creative talents of the Central New York workforce and the beauty of art in our lives!

Pick and Mix
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

Spring 2023 marks the beginning of a massive project that will convert an area adjacent to the ceramics gallery, which previously held paintings and prints, into dedicated ceramics storage. To accomplish this, we will close a portion of the ceramics gallery to make room for all the sorting and organizing that is to come. More than 200 paintings will come out of storage and hang salon-style in the Everson's upstairs galleries for the exhibition, Off the Rack.

In the face of space limitations like these, most museums would offer you less art—but that is not the Everson way. Instead, we offer you "Pick & Mix," a cornucopia of five fabulous exhibitions under one banner. Pick & Mix highlights the vitality of the Museum's mission to gather works that document the ways that artists draw inspiration from their cultures, as well as the ways that artists give back. Ceramics are an ideal lens to examine the gender roles, politics, and material culture of any given moment.

The Turner's Prize: Art Pottery from the Bill and Dorothy Paul Collection
As the keeper of potter Adelaide Alsop Robineau's legacy, the Everson has a heavy investment in American Art Pottery of the early and mid-20th century. The Turner's Prize highlights the extraordinary collection of Athens, Georgia-based Bill Paul. Instead of following mainstream collectors and market trends, Paul and his late wife Dorothy spent decades gathering rare and exotic works from the Art Pottery era that highlight hand-turned forms and experimental glazes.

Holding Space, Holding Pattern: Radical Decoration Strikes Back
Holding Space, Holding Pattern springs from a moment in the 1970s when pattern became a political and cultural weapon in the hands of feminist artists like Judy Chicago and Miriam Shapiro. The Pattern and Decoration movement kicked open the doors for women to move past the Japanese-inspired stonewares and muscular abstract sculptures that dominated ceramics throughout the 1950s and 1960s.

Natural Synthesis: African Stoneware from the Ramage Collection
Natural Synthesis tells the story of a group of talented Nigerian potters who apprenticed at a colonial British pottery school led by Michael Cardew. Potters like Danlami Aliyu and Ladi Kwali blended British forms and firing techniques with motifs and functional elements from their own aesthetic heritage, then opened their own studios and handed down their legacy to their own students.

Feelies
Over a career that spanned more than seven decades, Arizona-based potter Rose Cabat perfected the Feelie, a matte-glazed pottery form that begs to be held and touched. Feelies brings together more than 100 of Cabat's pots in a show-stopping array highlighting her mastery of glaze and form.

Cosmic Pipes: Pipes from the Clayton and Betty Bailey Collection
The Everson's recently acquired collection of Cosmic Pipes from the late 1960s joins other clay pipes from Indigenous and European cultures in the permanent collection. Ceramist Clayton Bailey created these pipes along with friends Roy De Forest, David Gilhooly, and Maija Peeples-Bright in 1969. Legend has it that Bailey's wife, Betty, an artist in her own right, encouraged the group to make what she called "paranoid pipes" in the form of everyday objects like ice cream cones and flowers to disguise their purpose and blend into their surroundings.

Roberta Griffith: Trophies
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For 42 years, Roberta Griffith served as a professor of ceramics and drawing at Hartwick College, cementing her status as a Central New York legend. Griffith now splits her time between Otego, NY, and Kaua'i, Hawaii. After receiving her Master's degree from Southern Illinois University-Carbondale in 1960, Griffith was awarded a Fulbright grant that brought her to Spain to study with ceramist Josep Llorens i Artigas, who was then at the height of a 30-year collaboration with painter Joan Miró. Griffith returned to the United States in 1964 and has always retained ties to Surrealism and abstraction.

In 1971, Griffith produced "Trophies," a body of work combining inverted stoneware vessels with ethereal constellations of feathers to evoke both body adornments and undersea organisms. While Griffith's Trophies are in tune with 1970s aesthetics, they also challenged the orthodoxy of a field dominated by men. More than 50 years later, this exhibition celebrates Griffith's work for its bold innovation and continuing ability to shock, surprise, and delight.

Pepe Mar: Magic Vessel
Everson Museum of Art

Everson Museum of Art
401 Harrison St., Syracuse

For Miami-based artist Pepe Mar, collage is a mechanism of transformation—and the origin story of the fiery character he calls his alter-ego: Paprika.

Architecture in Central New York: Watercolors by Dan Shanahan
Gandee Gallery

Gandee Gallery
7846 Main St., Fabius

Dan Shanahan's paintings highlight the quiet beauty found in scenes of everyday life. His plein air watercolors depict residential and downtown neighborhoods throughout the city of Syracuse, focusing on distinctive buildings and houses.

On My Own Time Retrospective
Art in the Atrium

Price: Free
City Hall Commons Atrium
201 East Washington St., Syracuse

This year marks the 50th anniversary of On My Own Time, a creative showcase produced by CNY Arts. For a half-century, On My Own Time has offered a unique forum for avocational artists to display their original visual artwork.

Each artist is a member of the local workforce, and businesses are encouraged to participate and celebrate the creative achievement of their employees. On My Own Time was inspired by individuals who make art outside of the hours dedicated to their career. On My Own Time welcomes nonprofessional artists of all levels of expertise and experience who share the joy of creative expression in common.

This fall, join CNY Arts and participants of On My Own Time - past and present - to celebrate our avocational creative community! The On My Own Time 50th Anniversary Retrospective will run at the new Art in the Atrium gallery and programming space, located right in the heart of downtown!

Institute of Queer Ecology: Hysteria
Urban Video Project

Everson Museum of Art Plaza
401 Harrison St., Syracuse

Hysteria is an original video by Institute of Queer Ecology (IQECO). In this work, the institute uses image, movement, and sound to construct an ecofeminist retelling of the poorly understood "dancing plagues" that swept through Europe between the 10th and the 17th centuries. The afflicted dancers are subtly recast as pointedly subversive agents entangled in environmental contagion and contamination that drive these wild, manic uprisings.

Dancing plagues (also referred to as dancing mania, choreomania, and tarantism) were spontaneous social phenomena in which groups of people, at times in the thousands, danced erratically and without restraint. The mania affected people of all ages and genders, and they often danced until they collapsed from exhaustion or suffered injury and even death.

Shot in and around Syracuse as part of Light Work UVP's Residential Media Art Commission program, Hysteria features many iconic Central New York locations, including the Syracuse Metro Water Treatment Plant on Onondaga Lake, Pratt's Falls, and Stone Quarry Art Park. (12:33, 2023)

Screening begins at dusk on the Everson Museum facade.

Setnor Ensemble Series: JCM Unified
Syracuse University Setnor School of Music

Price: Free
Shemin Auditorium, Shaffer Art Building
Syracuse University, Syracuse

Sister Kate Taylor
The 443 Social Club

The 443 Social Club
443 Burnet Ave., Syracuse

"Fifty years ago, James Taylor's sister released her debut album, then promptly vanished from the scene. Now, decades after she traded rock stardom for life in a teepee, Kate Taylor is back." —Rolling Stone

Poets Michael Waters and Mihaela Moscaliuc
Downtown Writer's Center

Price: Free
YMCA
340 Montgomery St., Syracuse

Michael Waters' recent books include Sinnerman (Etruscan Press, 2023), Caw (BOA Editions, 2020), and The Dean of Discipline (University of Pittsburgh Press, 2018). Darling Vulgarity (BOA Editions, 2006) was a finalist for the Los Angeles Times Book Prize. His co-edited anthologies include Border Lines: Poems of Migration (Knopf, 2020), Reel Verse: Poems About the Movies (Knopf, 2019) and Contemporary American Poetry (Houghton Mifflin, 2006). His poems have appeared in Poetry, American Poetry Review, Paris Review, Yale Review, and Kenyon Review. A 2017 Guggenheim Fellow, recipient of five Pushcart Prizes and fellowships from the National Endowment for the Arts, Fulbright Foundation, and NJ State Council on the Arts, Waters lives without a cell phone in Ocean, NJ.

Mihaela Moscaliuc is the author of the poetry collections Cemetery Ink (University of Pittsburgh Press, 2021), Immigrant Model (University of Pittsburgh Press, 2015) and Father Dirt (Alice James Books, 2010), translator of Liliana Ursu's Clay and Star (Etruscan Press, 2019) and Carmelia Leonte's The Hiss of the Viper (Carnegie Mellon University Press, 2015), editor of Insane Devotion: On the Writing of Gerald Stern (Trinity University Press, 2016), and co-editor (with Michael Waters) of Border Lines: Poems of Migration (Knopf, 2020). She has received two Glenna Luschei Awards from Prairie Schooner, residency fellowships from The Virginia Center for the Creative Arts and MacDowell, two Individual Artist Fellowships from the New Jersey State Council on the Arts, and a Fulbright fellowship to Romania. She is the Translation Editor for Plume and graduate program director and associate professor of English at Monmouth University (New Jersey).

This event will take place in person and on Zoom.

Issues of Color
Paul Robeson Performing Arts Company
Mookey Van Orden, director

Price: Free
Community Folk Art Center
805 E. Genesee St., Syracuse

Issues of Color, a powerful monologue play by Anne-Margaret Childress, sheds light on the experiences of Black people growing up and living in the Syracuse area.

The show draws inspiration from heartfelt interviews conducted with Syracuse residents, explicitly focusing on the stories of people of color in Central New York. Ms. Childress, an esteemed educator in Syracuse University's African American Studies department, expertly weaves together the narratives of nine characters, providing an intimate glimpse into their lives, dreams, and aspirations in the region. The production features two songs written by local composer John M. Canino, for the production.

The Game of Life
Breadcrumbs Productions
Tanner Efinger, director

Price: Suggested donation $30
Wunderbar
201 S. West St., Syracuse

The Game of Life is a brand new f*cked up immersive adventure by Tanner Efinger which invites you to play a game ... which you are already playing. You'll choose your own path or your path will choose you on this absurdist's spin of the American Dream. Everyone has "equal opportunity" to win it big in Millionaire Acres — or lose it all and die alone. And whether you like it or not, we're all playing the fantastically fun, not-so-family-friendly fun fun FUN for all, The Game of Life.

Disney’s Aladdin
Broadway in Syracuse

Landmark Theatre
362 S. Salina St., Syracuse

Discover a whole new world at Disney's Aladdin, the hit Broadway musical.

From the producer of The Lion King comes the timeless story of Aladdin, a thrilling new production filled with unforgettable beauty, magic, comedy and breathtaking spectacle. It's an extraordinary theatrical event where one lamp and three wishes make the possibilities infinite.

Hailed by USA Today as "Pure Genie-Us," Aladdin features all your favorite songs from the film as well as new music written by Tony- and Academy Award-winner Alan Menken with lyrics penned by the legendary Howard Ashman, Tony Award winner Tim Rice, and book writer Chad Beguelin.

Directed and choreographed by Tony Award winner Casey Nicholaw, this "Fabulous" and "Extravagant" (The New York Times) new musical boasts an incomparable design team, with sets, costumes and lighting from Tony Award winners Bob Crowley, Gregg Barnes, and Natasha Katz. See why audiences and critics agree, Aladdin is "Exactly What You Wish For!" (NBC-TV).

Co-op(erative)
Covey Theatre Company
Garrett August Heater, director

Hosmer Auditorium, Everson Museum
401 Harrison St., Syracuse

A new comedy written and directed by Covey artistic director Garrett August Heater.

A brash new artist shakes up a sleepy artisan's co-operative with her scandalous artwork. Due to adult themes, this comedy is not recommended for persons under 16 years of age.

Starring Aubry Panek, Jodi Bova, Edward Mastin, Jordan Glaski, Kate Huddleston, Binaifer Dabu, Kathryn Guyette, Amy Bader, and Stephfond Brunson, with Josh Gadek, Emmilly Budge, Shane Stensland, and Derek Sager.

Shop original art on stage by artisans of Wildflowers Armory before and after the show.

Preview: Ghost Ship
Syracuse University Drama Department
Ricky Pak, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fully immersive, multi-sensory theatrical experience with a limited audience of only 16 "passengers" per performance, Ghost Ship is referred to as a tragedy without explanation and a mystery without escape by its playwright Philip Valle. Calling on its audiences to climb aboard the ghastly Mary Whalen, Ghost Ship is a sensory voyage not for the timid of heart. In 2019, it was honored by the Kennedy Center with ten national awards including Outstanding Theatrical Creation.

Preview: Ghost Ship
Syracuse University Drama Department
Ricky Pak, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fully immersive, multi-sensory theatrical experience with a limited audience of only 16 "passengers" per performance, Ghost Ship is referred to as a tragedy without explanation and a mystery without escape by its playwright Philip Valle. Calling on its audiences to climb aboard the ghastly Mary Whalen, Ghost Ship is a sensory voyage not for the timid of heart. In 2019, it was honored by the Kennedy Center with ten national awards including Outstanding Theatrical Creation.

Preview: Ghost Ship
Syracuse University Drama Department
Ricky Pak, director

Storch Theater, Syracuse Stage
820 E. Genesee St., Syracuse

A fully immersive, multi-sensory theatrical experience with a limited audience of only 16 "passengers" per performance, Ghost Ship is referred to as a tragedy without explanation and a mystery without escape by its playwright Philip Valle. Calling on its audiences to climb aboard the ghastly Mary Whalen, Ghost Ship is a sensory voyage not for the timid of heart. In 2019, it was honored by the Kennedy Center with ten national awards including Outstanding Theatrical Creation.